Hollywood (Jan - Oct 1934)

He does and carries her off in a daring manner, leaving Tearle, who is also in love with her, with a broken heart. Mary Boland, Andy Devine and others in the cast all give splendid performances. Happy Andrew • • • • Here is a comedy built for laughs on a lavish scale. Will Rogers gives the funniest performance of his long screen career as the small town druggist who is nabbed out of his own pleasures and forced to take part in the New Orleans Mardi Gras. What a time Rogers has for himself when he finally gets into the spirit of the thing and what a time he gives his audience! Don't miss it if you are a Will Rogers fan. An excellent cast is completed by Mary Carlisle, Peggy Wood, Roger Imhof, Conchita Montenegro, Edward J. Nugent and Frank Melton. Thirty-Day Princess • • • An entertaining fantasy in which Sylvia Sidney plays a dual role, one the princess of a mythical kingdom and the other as an American actress. The effect is startling. As the princess, she comes to the United States to get a loan, but instead she gets the mumps. Then comes an American actress, also Sylvia Sidney, who so closely resembles her that she is able to impersonate the princess and secure the loan. But she does not accomplish this until she has vamped Cary Grant, a publisher. Grant does a fine job in this role, as do other members of the cast, with Vince Barnett and Lucian Littlefield heading the cast. Little Man, What Now? • • • • This delightful novel has lost nothing in its transition to the screen. Johannes, (Douglass Montgomery), is a clerk who finds that his sweetheart, Margaret Sullavan, is to become a mother. Fearful of the future, they marry. His employer is determined to marry off his ugly daughter to one of his clerks and selects Johannes. Kleinholz, the employer, sees Johannes and Lammchen kissing each other and they are forced to reveal their marriage. He is discharged, but secures another position in Berlin. There the complications begin, but the story moves deftly to a satisfactory climax and an equally satisfactory solution. The performances of Miss Sullavan, Montgomery, Alan Hale and the rest of the cast are beyond comparison. The Circus Clown • • • Joe E. Brown and his widemouthed grin against the colorful and dramatic background of circus life. It's a wow! Brown, as Happy, gives one of the best performances of his career. The story in itself is simple, but the work of Joe and Patricia Ellis bring it up to a degree of excellence where the story is forgotten in the colorful background of the big tent. Half Way Decent • • • • Another great story from the brilliant pen of Damon Runyon. A baby girl is adopted by a gang of tough gpmblers. She gets her name, 'Little Miss Marker,' because her dad left her as security for a "marker" or I. O. U. on a Please turn t<> pn«e sixty-nine JULY, 1934 Big]* engagement is broken!'' EVERYBODY guessed the trouble except poor Peg herself. Her friends were sorry but unsympathetic. "After all, you can't blame Henry," they said. "Peg is a dear in lots of ways, but she certainly is slow in others. We've often tried to ease it over to her about disagreeable underarm odor. We've talked about how we all use Mum. "But she's either stubborn or dumb. Said she didn't need anything — that soap and water were good enough for her. Well, that's Peg's mistake." How foolish it is to take a chance on offending with the ugly odor of underarm perspiration, when you can have all-day protection in just half a minute! That's all it takes to use Mum. And you can use it any time — after you're dressed as well as before. For it's harmless to clothing. It's soothing to the skin, too. Prove this by shaving your underarms and using Mum immediately. Count on Mum to keep you safe from odor without preventing the perspiration itself. Mum Mfg. Co., Inc., 75 West St., New York. TAKES THE ODOR OUT OF PERSPIRATION USE MUM FOR THIS, TOO. Mum is wonderful to use as a deodorant on sanitary napkins. Enjoy its protection in this way. 11