Hollywood (Jan - Oct 1934)

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TATTOO YOUR LIPS SEE TRIAL OFFER BELOW 4 ,-p STARTLING I attoo your lips, SHADES and you'll dare romance! tattoo for Lips Tattoo . . . that lovely Up "rouge^T/,?^ color of intense, more mean and hps) come in , .... . these really startling mg brilliance . . . tempting in shades. itself, but more tempting on • lips. Subtle, exquisite Tattoo ! SS^alS^ptak Different from anything else. £?st Rather light. . . ' to Ravishing on Put It on . . . let it set . . . wipe blondes and titian it off . . . only the color stays. ' . No pastiness . . . only the exotic is a truly color ... the warm red of gggS^Sfe challenge to adventure ... to parent. Somehow r . _° _ ■ , . we just cannot find jate' 1 hen, 1 attoo your cheeks the right words to into alluring harmony with yoVnf'find'it vei-y your lips by using the exactly effectivel matching shade of Tattoo natural is a R.OUGE. medium shade. A true, rich blood Choose your most suitable tflsset t'o'k^ shade of Tattoo by actually brunette, testing all four at the Tattoo PASTEL*is of the Color Selector displayed at all type that changes. . .i . i color when applied smart toilet goods ^•r^^y^ to the lips, it gives rnnnrpri Tattoo /WwXtfi an unusually transcouncers. i attoo / ^ ^ v\ pare„t ricimess and For Lips is $1. / \ \' El •> depth <.i warm / B color that is truly Tattoo Rouge I %' Mi amazing (for Lips and ; '#/ D""'f he rmiU{ ^ X, , , *, I ' MJ 'mitators .. .there Cheeks; . . . 75C \X?V*' <W/ »'« not lung else v—i^i^X^ Uhe Tattoo! SSEND COUPON FOR TRIAL A miniature size of Tattoo (Lipstick) contained in a clever black and 6ilver case, will be sent upon receipt of the coupon below together with 10c to cover postage and packing. Tattoo your lips! TATTOO. CHICAGO TATTOO, Dept. 16 HE. Austin Ave., Chicago. 10c enclosed. Send me Trial Size I Tattoo (LIPSTICK) postpaid. □ Coral □ Exotic □ Natural □ Pastel I T^ame I Town Stale I I Ree. U.S. l'..t. Off. | TATTOO 10 Continued from page nine like to see, for instance, a movie of such books as The White Oaks of Jalna, with Edna May Oliver as the granny, John Gilbert as Reynard, Phillips Holmes as Eden, Barbara Stanwyck as Eden's wife, Norman Foster as Piers, Jean Parker as Pier's wife and Richard Cromwell as Finch. Also we wish very much to see a talkie version of Peter Pan with Katharine Hepburn playing the part of Peter and Jean Parker as Windy. Please, can't we have some more of those timorous mysteries on the screen such as The Dark Garden, Menace and Album? ($1.00 Letter) HELEN L. HARRIS, 139 Franklin Avenue, Kittanning, Pa. Thanks to Arliss JUST a word of thanks for the pleasant afternoon I spent in seeing George Arliss in The House of Rothschild. My vocabulary is too limited to go into rhapsodies of praise, but again I say. "thank you" to him for giving such an understanding portrayal of a very difficult role. I feel that his advise to his five sons in the fore-part of the picture is as applicable and worth as much consideration today as it was in the days during which the scenes of the story are laid. I enjoyed the role Mrs. Arliss played as she made me feel her affections and feeling for Mr. Arliss were as true in real life as in the movies. ($1.00 Letter) MRS. B. J. CONLON, 815 Sixth Avenue, Councile Bluffs, la. Australia Heard From While You Will probably consign the following comments to the w. p. b., at least you may gather something of the general intelligence of the Australian fan in general. Far be it from me to criticize the work of a man who probably earns his living at it, but Harry Carr's article (War Declared on American Movies) in a recent issue calls for some 'Thank you, George Arliss, for a verypleasant afternoon" 'Please, Mr. Movie Man, show me lots of Helen Mack comment. It is news to me that Australians prefer British films, since I have found that the majority even fight shy of them — like Americans they have an intense hatred for the exaggerated Oxford drawl. Mr. Carr is right when he says that a lot of the British films are "gosh awful," but does he know that most film-goers here think the same thing? We are also well aware of the fact that most of the good performers in British films are snapped up by American studios and there are quite a large number of us who rejoice when this happens. We like to see a good star given a chance and, unfortunately, British studios have a habit of swamping them with bad stories, bad photography and generally bad management. Our complaint is that England cannot keep her big stars and make them assets to her industry. But we certainly aren't kicking because America has the common sense to get in first. Most of us know that it almost always means improvement for the star. Of course we boost British films where we can, but all the propaganda and advertising in the world isn't going to make us sit through bad films, as England is finding out. We are suite willing to do our share of the boosting, but we want good films and, believe me, we know good films when we see them! ($5.00 Letter) DOROTHY H. RAY, "Lochinvar" 46 Palace Street, Ashfield, Sydney, N. S. Wales, Australia. A Nurse Protests IF YOU are to believe all you see in the movies, you'll soon discover that the doctors and nurses and internes are just a merry bunch of kids who date each other up and make love to the patients. I'm only a registered nurse, but I'm blessed if I ever had the doctors treating me the way they do Bebe Daniels in Registered Nurse. Neither do I nor any of my fellow workers wear those soft, frilly, wispy underthings as shown by Barbara Stanwyck in Night Nurse, Joan Blondell in Miss Pinkerton and scores of other movie nurses. Heaven knows I try to wear as pretty ones as possible, but even "second bests" cost! And in The Girl in 419 James Dunn seemed to be the only surgeon in the hospital, yet he had plenty of time to take nurses into private rooms and kiss them! And, I suppose, I ought to finish this by saying Men in White isn't an improvement either! ($5.00 Letter) v* ' KAY BECKWITH, 6300 Fourteenth N. W., Seattle, Wash. HOLLYWOOD