Hollywood (Jan - Nov 1935)

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He wore them day and night They stopped his head , noises. Thay are invisible i andcomfortable.no wires I or batteries. Write fori TKUE STORY. Also! booklet on Deafness. ArtijurtalBarDrwn THE WAV COMPANY 774 Hofmann Blda. Detroit, Michigan 10 WEEKS H Jr ?***>£«* tor jobs in Radio Broadcast, Talking Pie■^^ tores. Television, by ten weeks of practical shop ' * work in the great Coyne Radio Shops, on real machinery and equipment. You don't need advanced education HiSH'SmSSP I,Yeo Employment Service for life. Many earn while learning. Electric Refrigeratlon-AIr Conditioning included. Mall coupon today for free book whtchtellsron how hundreds have become en cceasfulRadioMen after takirur my trainlne. M. C. Lewis, Pree., Coyne Electrical & Radio School SOO S. Paulina St., Dent. 35-9C Chicago, Illinois Send Free Radio Book and facta. Tell llOW I can pay for my course on easy payment plan after I graduate. I WILL INAHCE YOUR TRAINING YOU ARE SHOUT OF HOMEY ADDRE83 . CITY Janet's Side of the Story Continued from vase thirty-five no longer a little girl to be playfully teased. She is a beautiful young woman with a keen, flashing wit, a mind of hef own, and a store of common sense in keeping with her position as one of the greatest stars the film world has known. Janet Dismissed My prized picture with scant ceremony. "Of course, I remember that picture," she declared, "and I remember the Clark Gable of those days very well. Clark was just as nice then as he is now as a star. He used to have a little car and he always took a bunch of us home at the end of the day. I couldn't very well forget that! "Clark and I worked for seven-fifty checks in that picture," Janet continued. "It was called The Plastic Age and was made at the old F. B. O. Studios on Gower Street. Clara Bow was the star and Gilbert Roland played one of the leading roles. It was just about his first appearance in pictures. Donald Keith had another featured part, but Clark and I were just atmosphere." "Were you making a pretty fair living in those days, Janet?" I asked. "Honestly, I would have starved to death if I had depended on my 'extra' checks," she replied seriously, "and I got quite a bit of work at that. But I always had a home to go to — and I kept plugging in hopes of the chance that eventually came." So the story about the Gable-Gaynor picture and Janet's days as an "extra" was left by the wayside and we settled down to firing questions at one another. I wanted to find out about those reports that Janet was hard to see — that she wouldn't answer any questions until she had carefully considered each one — and that several magazine writers had aroused her ire during the past few months. So I cautiously steered the conversation around to the subject of interviews and interviewers. To my surprise, she talked freely. I've questioned killers, bandits, burglars and high-binders of all kinds in my day as a police reporter and I'm not exactly bashful when it comes to rapid-fire crossexamination. But Janet never flinched She answered every question. "VY/rite What You really think," Janet W told me when I asked her if there were any strings to the interview. "I'm not afraid of honest opinions, but it does irritate me when writers say things that, down in their own hearts, they don't believe, themselves. "I object to a certain type of magazine story," Janet declared, "because of the carefully-handled innuendo which leaves the impression with readers that I'm twofaced — the impression that, although I may play nice-girl parts on the screen. I'm not necessarily the same kind of girl in private life. "The writers, themselves, know they're unfair," continued the now thoroughly aroused little redhead, "for if they know me at all, they should know that I live a perfectly sane and normal life away from the studio. "I don't mind it when they write that I've grown up. Of course, I'm grown up. Anyone who saw Seventh Heaven should understand that I must be grown up by this time. But I really make an honest effort at sincerity — both on the screen and off — and if my efforts are not entirely successful, it's not because I don't try." If more proof was needed, I got it within the next few minutes. Janet was called on the set and I slipped out to watch her go through a scene with Warner Baxter and Walter King. There was no "com 64 Jn this particular scene front One More Spring. Janet seems to be paying rapt attention to Warner Baxter's side of the story. And what is the story? .4 light-hearted fantasy of a depression winter — with both in unexpected roles HOLLYWOOD