Hollywood (Jan - Nov 1935)

Broadway Gondolier — (Warners) — Dick Powell, Adolphe Menjou, Joan Blondell and Louise Fazenda in a rollicking musical. Tasty stuff. Mad Love— (M-G-M)— Peter Lorre as the sadistic surgeon in a fantastic thriller. Guillotines and midnight operations. Bad medicine. Love Me Forever — (Columbia) — Is Grace Moore's second screen triumph. Her voice is as praiseworthy as before. Leo Carrillo dominates most of the picture. Man on the Flying Trapeze — (Paramount)—Only the 'title and W. C. Fields to save this picture from boredom. Fields is very funny. You may gag on it. Anna Karenina — (M-G-M) —Here is Garbo's newest and perhaps finest picture. Superb photography aids Garbo in reaching new heights. Fredric March co-stars. Ladies Crave Excitement — (Mascot) — Norman Foster pulls scoops out of the hat for his newsreel company. Entertaining and exciting. Leaves no bad taste. Escape Me Never — (British and Dominion)— Elisabeth Bergner in a powerful and poignant drama about unhappy love. A grown up -picture. Farmer Takes a Wife — (Fox) — Janet Gaynor smashes through in a story about the Erie Canal in its hey-day. You'll praise Henry Fonda. Becky Sharp — (RKO-Pioneer) — Brings the true wonders of Technicolor to the screen in a film where the technical element dominates both the story and characterizations. Everyone should see this film on the grounds that it is a milestone in movie history. Escapade— (M-G-M) —William Powell and Luise Rainer, Metro's fascinating European find, in a gay story, of prewar Vienna. They're both excellent. She — (RKO) — Helen Gahagan and Randolph Scott in a runner-up to KingKong that features above all else some amazing trick photography. Very different. No More Ladies— (M-G-M)— Robert Montgomery and Franchot Tone hold down two corners of a love triangle with Joan Crawford. Spicy and jolly. The Scoundrel — (Hecht-MacArthur ) — Noel Coward and Julie Hay don in a psychological picture that packs a terrific emotional wallop. Break of Hearts— (RKO)— Katharine Hepburn, Charles Boyer and John Beal in a hectic marriage blowup. They're all excellent. Film just misses being tops. Here Comes the Band — (M-G-M) — Is Ted Lewis' contribution to screen musical shows. It's the same old rollicking Lewis with an "Is everybody happy?" Murder Man— (M-G-M)— Stars Spencer Tracy and Virginia Bruce in a fast moving, unusually plotted yarn of a police reporter who reports a murder mystery. Page Miss Glory — (Warners-Cosmopolitan) brings Marion Davies back to her top position as Hollywood's finest comedienne. She is supported by a fine cast. G-Men — (Warners) — James Cagney leads the federal agents in a smashing drive on gangsters. Swell entertainment and jammed with fast action. College Scandal — (Paramount) — Arline Judge, Wendy Barrie and a batch of [Continued on page 53] OCTOBER, 1935 %>?ifflata Statue ad/tfwnA and HetuHnsu* ateut SMOKE-STAJMEtlTEETtf m/s spec/41 room past£ REMOVES SMOK€ STAINS A SAFE WAY Special stain-removing ingredient in PePsodent is not contained in any other leading dentifrice. Make the simple test that surprises smokers. Thousands find dull, ugly teeth become naturally white and sparkling. IF you smoke, you've probably noticed stains on your teeth, or an ugly yellow smudge. Now there is a way to keep the faintest smoke trace from showing on your teeth. This way is Pepsodent, the special filmremoving tooth paste. No matter what dentifrice you now use, switch to Pepsodent today and make the smokers' test. See how Pepsodent immediately "takes hold" to make teeth cleaner, whiter, more attractive. Let your mirror prove that they glisten with natural whiteness many smokers think impossible to attain. 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