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< Continued from page thirty-five)
room rug. It was really very discouraging.
Then came a note from the City Fathers saying that she'd have to get rid of Edmund and his chickens . . . the neighbors were complaining. Carole cried a little about it, but civilization is civilization, and the three had to go. She gave them to a friend in the country, but came back with two baby ducks in their place.
The ducks don't quack yet so they're safe for a while. Still they don't take the place of Edmund, Ellie and Jessie. Every now and then Carole pays them a Sunday visit . . . and now she's talking quite seriously of building a ranch in the valley, "So I can have my friends, my real friends with me!" Yep, a little animal-goofy, just like IRENE.
Gifts for No Reason at All
The end of the picture, however, in which IRENE carries coals to Newcastle — in the form of large baskets of food to GODFREY who runs a night club and whose larder is very well stocked, thank you — really bore the greatest resemblance of all to Carole's own antics.
In fact people who know her and to whom she has brought gifts — and that includes practically everyone in Hollywood — simply couldn't get «over the familiar feeling that scene gave them. As though it were actually one from Carole's life . . . for to put it simply, Carole is this kind of girl: if you happen to mention that you like gardenias, Carole will send you some — not two, but dozens and dozens! She is also the kind of girl, who, upon going to the mountains for a week's rest and retreat, returns with bushel basketsful of pine cones for everybody. Such is her natural generosity. She loves pine cones to burn in her fireplace, but wouldn't think of having pine cones for her fireplace without also supplying pine cones for her mother's fireplace, for her friends' fireplace, for her cameraman's fireplace, for her make-up girl's fireplace, and so on down the list. For days after a Lombard trip to the mountains the air over Hollywood is filled with the fragrance of the forest primeval, the murmuring pines and the hemlocks!
And so it goes . . . bundles and baskets and gifts . . . they are as much a part of her as her grand laugh and her scintillating manner. To her, holidays have no significance except as gift-giving days, and with this thought in view she insists on celebrating all of them . . . even Washington's Day, Valentine's Day, Columbus Day, and down to even the state holidays. Whoever is lucky enough to be dining at THE FARM on one of these evenings always gets a present.
Nor does Carole ever go shopping for herself without bringing something home for someone. Just recently she told Fieldsie, her friend and secretary, that she thought we'd run down town and buy a hat. She was gone three hours and came back loaded with packages. "What kind of a hat did you get?" Fieldsie wanted to know. Carole looked blank. "Gee, I forgot ft. But look, Fieldsie, I got a cute blue mirror for your room . . . thought it would look nice with your blue curtains. Oh! and wait until you see what I bought for the menagerie. Look! Smell! Perfumed flea powder! Isn't that marvelous!
"And. look, the cutest sleeping baskets for each of them. Come on! Let's see
how they like them. And, oh, wait till you see what I brought Ellie. She'll die! She'll just die! I got it because she was so sweet about baking all those cakes I took on the set last week!"
Never a thought for the hat she didn't buy — which is typical of Carole.
SI12 Loves to Pretend
Another very real Carole trick which Carole betrayed in her portrayal of Irene is her very keen delight in pretending. Irene only played possum on the couch in that one scene when she grew hysterical and had to be entertained by the monkeyshines of Mischa Auer, but the real life Carole is always thus fooling her friends, End just to make monkeys out of them too. Particularly on the telephone.
Ring Carole's and what would seem to be a Filipino houseboy answers. "Mhs'e Lombard no home. Missie Lombard go kill somebody today mebbe. You give me message. Well, I don't know, she say she have to shoot today. Oh, pictures? Well, I don't know, mebbe, yes, mebbee. She say mebbee they shoot late tonight. Well, you give me message ... I tell heem. Ha! I fooled you, didn't I?" The Lombard voice comes down an octave or two and her wild laugh ripples over the wire at you.
Or maybe another time it's the voice of a Swedish cook. Or sometimes it's a very lifelike imitation of Ellie, who usually answers the phone, and sometimes it is Ellie and you think it's only Carole kidding and then it's all very confusing, and you don't know who you're talking to and finally you give up and bang the receiver down. And a minute later Carole is on the phone: "Ha! we fooled you, didn't we?" and you don't know whether she did, or Ellie did, and it's still very confusing. Mad, in fact, very mad . . . much like the household of which IRENE was a member.
Lovable madcap clown . . . enthusiastic about everybody, everything ... as volatile and changeable as the elements . . . not the worldly sophisticate that we have sometimes been led to believe she is in some of her pictures. She doesn't even talk like a high-fallutin' movie star with the usual "Oh, deahs!" and "You don't say so's!" With little-girl grimaces Carole goes around Hollywood saying, "Yah, yah, yah!" and " 'ello, naow!" This is CarcZa as we have seldom seen her.
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