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Hollywood Newsreel
[Continued from page 17]
For a solo number Ceballos had laid out an elaborate routine for Miss Orla. She refused to have anything to do with it.
"No, no, no," she protested. "If the man pass me to the left that mean he want to kiss me. If he pass me to the right it mean he is tired of me and is looking for a new girl. No man pass me to the right."
So the men passed her to the left.
■ Mary Martin, the Texas belle, has mislaid her South'n accent since she gave her heart to daddy, it appears. In Kiss the Boys Goodbye, she is required to read some lines in Dixie brogue. After a good night's study she thought she had the drawl down pat, so pat in fact that she invited Y. Frank Freeman, Paramount vice-president and himself a Geo'gian, to come out to the stage and catch her rendition.
On the first take Freeman detected a distinct flavor of 52nd Street, Park Avenue and Cocoanut Grove. He did a little discreet coaching, only to find that his youall's weren't in perfect working order either.
Upshot was that the line was rewritten. Originally it was:
"I'm mighty proud, suh, to have the oppo'tunity to po'tray the flowah of South'n womanhood."
While on the set Big Shot Freeman encountered another moment slightly embarrassing to various operating bosses.
The scene was a Long Island estate, complete with swimming pool. The pool was filled with cold water, since nobody was to enter it during the sequence. But the chill rising from it was distinctly un[Continued on page 20]
Jane Withers musters up sufficient courage to handle a toad for this scene in 20th Century-Fox's A Very Young Lady
There's Moonlight Romance in the
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