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Do you Secretly long1 for no
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Third Time's the Charm
[Continued from page 25]
school dramatics. He did, however, inherit a strong "itching foot" from some unknown antecedent which led him to the open road after a couple of spasmodic sessions at college.
To support his meanderings, Bob in turn worked as a junior salesman for a fountain pen company, a laborer on a state highway construction job, sang in a Florida night club, drove a taxi, chauffeured a rich old fussbudget, and was an inspector in an orange grove.
By the time he was 19, Bob decided to do something definite about his future, so he became credit manager for a rubber company in Pittsburgh. He worked at that a year and might still be there had he not been given a three-week layoff without pay due to a lull in business. Twenty-one days of free time gave him an unexpected chance to indulge his "itching foot" and the notion of becoming a movie actor in Hollywood. Bingo! He took his small reserve of cash, got in his car and headed west.
Instinctively, he said, he knew better than to try to "crash" the studios cold, so he lived in a cheap room in a boarding house and spent his days reading everything he could about the business and studying great plays at the public library. Not until he read where Columbia was searching for a newcomer to play the lead in Golden Boy did he move. Then he wrote for an interview with the casting director, got it, and was told he was not the type.
"I wanted to play that role and I thought I could," he said, "so I got an agent. Drove down the street and picked one out because I liked the looks of his building. I gave him a great song and dance about all my 'experience,' including a whopper about having sung at the swank Royal Palms in Miami. That proved to be a real brodie because he was the agent who had booked all the talent for the Royal Palms that year! However, he skipped it and arranged a screen test for the role in Golden Boy."
Bob didn't get the role. Bill Holden (whom Bob strikingly resembles in appearance and personality) was the lucky guy. But Bob did get a stock contract and for a year played small parts in various Columbia pictures. The parts were unimportant but they gave him a chance to work with veterans like Cary Grant, Irene Dunne, Melvyn Douglas and Joan Blondell, and he watched, listened, worked and learned from them.
About that time he was set to do a play in New York, but the author's wife had a baby and production was postponed. So late in 1939, Bob signed a new contract with 20th Century-Fox. First crack out of the bag he was given the lead in Manhattan Heartbreak. He was good in it, but one good performance doesn't spell success. His next appearance was in a little opus which was so bad, he said, even his mother walked out on it!
"Ordinarily," he said, "Mother is a patient woman."
By the end of six months, the term of his
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