Hollywood (1942)

AVOID UPSTICK PARCHII16 » u Arc your lips in slyle?/Coty has made il so easy to keep lliat glossy, a/iamorous look that everyone admires— that s/iart lips must wear. Into every "SuhA)eb" Lipstick goes a special ingredient to vdurd off chapping — protect against dryness/parching! Your lips keep their delicate, Howe/ texture— while they wear thrilling, high-style color! Join the millions who have chang/l to "Sub-Deb"! $1.00 and 50d. _^-— xH^, THY MAG/1EE RED Rich, true, ringing red— blends with almost all skin tunes. Other high -fashion colors in the Coty range of 9 Jl ottering shades: GITAE1E bright "gipsy" tunes BAH luscious, siren shade DAHLIA lovely, Jlower-soft TAMALE ultra-chic "Latin" red He's down again! Veteran of many a screen tumble, shooting and beating, Humphrey Hogart has always conic through intact. Hut in this quiet domestic scene in The Big Shot, Humphrey fractured two ribs when the old rocking chair threw him for a loss vertises itself as ''Hollywood's Only NonJapanese Chinese Restaurant." . . . Tay Garnett, the director, has a plaque in his home inscribed: "Let any guy who thinks he's good — just have a try at Hollywood." ... It costs Grauman's Chinese theater S200 every time a star puts his or her footprints in the cement forecourt. . . . Edgar Bergen's Beverly Hills home has a separate bedroom with twin beds for Charlie McCarthy. . . . Kissing below the chin on the screen is illegal in Maryland. | Mary Howard, the Fox lovely who's always cast as somebody's adoring wife in the movies, was complaining about being typed. "I'm tired of saving family homesteads," she said, "I want to wreck one for a change." | Hays office censors still are frowning on sweaters. They just nixed a fuzzy thing Mary Astor wanted to wear in Across the Pacific. | Not in the Script: "I think what the public wants on the screen is kisses. Not just casual little pecks on the cheek such as we've been getting in altogether too many romantic stories lately, but more of those old-fashioned caresses that established movie love scenes as something real and vital." — Joan Crawford. | They say Hollywood forgets to remember. But that isn't always true. Eight years ago Jean Muir left Hollywood to return to the New York stage. The other day she came back to movietown to resume her film career. She didn't expect many people to remember her. After all, eight years is a long time. But when she WE PROUDLY PRESENT TWO FRANK AND INTIMATE STORIES ON A RARE AND GENUINE FRIENDSHIP BETWEEN TWO GLAMOROUS STARS, JOAN FONTAINE AND IDA LUPINO. PLEASE TURN TO PAGES 36 AND 70. walked into a hotel in Hollywood where she lived eight years ago, the clerk at the desk said, "How do you do, Miss Muir," and gave her the key to her old room. That afternoon Jean Muir walked down the street to the lending library and selected a couple of books. "How much is the deposit?" she asked. The woman behind the desk smiled. "For you, Miss Muir, there's no deposit." B Joan Fontaine, who is married to Brian Aherne, is now playing Charles Boyer's leading lady in Warners' The Constant Nymph. The other day she was being interviewed by a feminine writer. "You lucky girl," said the writer. "To act opposite Charles Boyer all day — and go home to Brian Aherne at night." | Ginger Rogers attracted national attention two years ago when she played a 14-year-old girl for opening scenes in her Academy Award winning picture, Kitty Foyle. And now she's going to be a little girl again — this time age 12. The picture is The Major and the Minor. Lacking $5 with which to purchase a train ticket. Ginger makes herself up to look like a little girl in order to buy a half rate [Continued on page 10]