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pendently. You step from this doorway into a junglecrowded angle where two tawny beasts stalk toward you, their lips curled back from gleaming fangs.
"Don't move," a voice cautions. Then a word is spoken sternly in Hungarian and the two German shepherds speculatively look to their master as though asking, "What shall be our nourishment today?"
Back in the high-ceilinged living room you notice a balcony above the piano. The effect is weird, for a stream of light from the steeple to the right slashes across it at an angle. You look away for an instant. A board creaks above you and the hair on your neck suddenly seems too short. Then a low voice — Lugosi is standing on the balcony explaining that this is the passageway to the bed chambers, which just now seem unworthy of your investigation.
The dining room opens from the living room. You step through a large, arched doorway into the gloom where a handhewn table, flanked by heavy, iron-bound chairs, makes you think of a Gargantuan operating table from the Middle Ages. A wall switch clicks and the scene is flooded with a gentle light that wipes out the note of a torture chamber.
A long, low hall leads from the dining room, and opening from it is a bar, complete even to cash register. A lantern, the sort you buy if you live far from electric lines, illuminates this replica of a rustic "dive." The blue steel of a grim gun barrel reflects this light and since the barrel is sleek and graceful it seems also to reflect the ominous tone of genteel horror that is the keynote of Dracula.
As you walk about the house you are impressed by the almost eerie stillness of the place. Except for a rare squeak of a board that protests your tread, there is no noise. You find you are beginning to feel serene and you almost like the house that horror built.
Then Lugosi remarks with pride, "I love this house. It fits my personality perfectly."
You shiver a bit as you realize all of Dracula's victims fell under his spell before he slaughtered them. |
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