Hollywood (Jan - Mar 1943)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The confidence that conies from knowing! Safe new way in feminine hygiene gives continuous action for hours! • Far too many women still do not know those vital facts which no woman should be denied! Your married happiness, your health and well being may depend on up-to-date knowledge about feminine hygiene. The trouble is, many women who think they know have only half knowledge . . . and still depend on old-fashioned or dangerous information! They rely on weak, ineffective "home-made" mixtures ... or risk using over-strong solutions of acids which can so easily burn and injure delicate tissues. * * * Today, modern well-informed women everywhere have turned to Zonitors — the new, safe, convenient way infeminine hygiene. Zonitors are dainty, snow-white, greaseless suppositories which spread a protective coating . . . and kill germs instantly at contact. They deodorize—not by temporarily masking—but by destroying odors. Cleanse antiseptically, and give continuous medication for hours! Yet Zonitors are safe for delicate tissues. Powerful— yet non-poisonous, non-caustic. Even help promote gentle healing. No apparatus, nothing to mix. At all druggists. ■ rnrr. Mail this coupon for revealing bookI NICE* let of intimate facts, sent postpaid I in plain envelope Zonitors, Dept. 7203-A, 370 Lexington Avenue, New York. N. Y. | Name | A ddress I City Slate The flew Tom Conway breaks his record of portraying villainous characters to step into the lead of the Falcon series, vacated by George Sanders By KAY PROCTOR ■ Why a tall, handsome and extremely personable young man like Tom Conway should be going around scaring movie-goers is a Hollywood mystery which defies solving. With his good looks and charm Conway ought to be singing moonlight serenades to enraptured heroines. Instead, producers insist he go skulking about up to no good, as in The Cat People or his newest venture in malevolence, I Walked With a Zombie, So far Conway has been pretty philosophical about it all. "Horror pays off!" he said blithely. "Besides, every now and then 1 get a breather like one of the Falcon series, which acts as a purifying agent. Then I'm ready for a fresh dish of dastardly doings." Horror has paid off for Conway. So adept has he proved in modern horror pictures, which depend on psychological menace and good acting rather than physical violence, grotesque make-up and scaly hands, or tombs swinging open at midnight, as to have built himself a whale of a fan following in the two years he has been in Hollywood. Maybe his face and name are not wholly familiar to the sophisticates of big cities, but in the smaller towns and cities from coast to coast, movie-goers know him and love him . . . or, rather, hate him for the villain he is on the screen. With his advent as the new Falcon of that popular series, his circle of fans is destined to widen immeasurably. But once let him get his teeth into a good romantic lead like he played in England, and all America will become Conway conscious. He has what it takes to make the ladies cry for more. Conway was born in Leningrad (it was St. Petersburg then) in 1904. His father was a British rope manufacturer and his mother a Russian. Thus he is a British subject. The family lived in Russia until the Revolution and then fled to England. Tom was 13 at the time. In his early schooling he had a half-hearted interest in engineering which failed to develop into a concrete ambition. "To be honest, I had only one interest in college," Conway said. "To get through it as quickly and as easily as I could." Following graduation he chose South Africa as the place to earn an honest living. This included everything from day labor in gold, asbestos and copper mines, to assistant superintendent of an asbestos mine, and later a bit of ranching. Malaria, however, cut the African adventure short and he returned to England to become a salesman for a safety glass manufacturer. By sheer coincidence that job led him direct to the theater. A potential customer he was trying to sell was preoccupied with casting a Little Theater play. It turned out he wanted no part of Conway's safety glass but he did want Conway — for the leading role in his show, No. 17. Conway made a bargain with him; in exchange for an order large enough to fill his sales quota, he would play the role. No. 17 proved a hit — and Conw?>v found the kind of work he liked. He's been at it ever since, first with the Manchester Repertory Company, next with a number of British stock companies, then with the 34