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ULC -8 1933' The Oldest and Only Weekly Motion Picture Newspaper in Hollywood
1 HOLLYWOOD
Imo
Copyright 1933 — Hollywood Filmograph — Established 1922
WEDOOURPJWT
VOL. 13/ NO. 47
HOLLYWOOD, CALIFORNIA, SATURDAY, DEC. 2, 1933
PUBLISHED WEEKLY
Berlin Raves About "Cavalcade" and Frank Lloyd's Direction
Adolphe Menjou Explains Guild Stand on Code
WINFIELD SHEEHAN'S PET
PICTURE TAKES GERMAN
CAPITOL BY STORM
Winfield Sheehan's pet picture, 'Cavalcade," from the pen of Noel Coward, and so capably directed by Frank Lloyd and produced at the Fox Films studios, Westwood, has proven i knock-out across the seas as it did n this country. For instance, take a ook at the following report just revived here from Berlin.
DAS 1ST EIN FILM!
These four German words form one )hrase chosen by a leading Berlin newspaper to register amazing enthusiasm for "Cavalcade," the picture glorifyng British patriotism and England's lational pride and honor made by Fox Films. And fourteen years ago, Germany and England were entertaining aerhaps the most bitter hatred ever jnown to man!
THIS ISA FILM!
This one phrase, in its simplicity, Joes not reach the heights of ecstatic jraise accorded the picture in Gernany, but it typifies the unanimous approval of citizens and critics alike on :he occasion of the recent premiere showing of the epochal film in Germany, when this picture made in Holywood but laid in its entirety in Great Britain, gained Berlin's recognition as he biggest picture of the year.
With the post-war audience but ourteen years removed from the World War and with the hatred of those tryng days prolonged by severe conditions mposed by the after-math of the war, 10 more severe test of the worth of a )icture could be given than before this ludience.
Yet, before audiences composed alnost entirely of adult Germans, many (Continued on page 5)
"TARZAN" WORK TO CONTINUE
During the absence of Maureen O'Sullivan, the "Tarzan and His Mate" company, Cedric Gibbons, director, will continue operations. They will "shoot around" the scenes using the leading lady; making sequences using Johnny Weissmuller and other members of the cast.
SO THAT WRONG IMPRESSION OF ARTICLES IVV— ACTION IS CORRECTED
To correct a mistaken impression held by some people in the industry, the Board of Directors of the Screen Actors' Guild wishes to make the following statement:
Because of the fight being made by the Guild against Articles IV and V of the proposed Motion Picture Code, many people think that the Guild was created solely for the purpose of protecting the high salaried player. The crisis caused by the Articles in question is merely another in the long series of crises which occur in this industry. Two others, the fifty per cent cut and proposed Artists Booking Bureau, have taken place this year. Each of these crises found the actor body disorganized, or at best, represented by a very small group. It became clear to some of us that if we were to be able to meet these constantly changing problems and protect the rights of the actors, a strong, representative, permanent and autonomous organization of actors was needed. It was to fill this need that the Guild was formed.
Among the suggestions made by the Guild to the Deputy Administrator during the Code Conferences were three specific Articles affecting the free lance player. First was the abandonment of deals; the second was that no contract actor be employed on more than one picture at a time; third, that the practice of loaning contract players between studios be prohibited. Unfortunately, the Guild was not strong enough at that time to force consideration of these points.
The Code Committee of the guild
(Continued on page 6)
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