Hollywood Spectator (1931)

22 Hollywood Spectator Mankiewicz; photographer, Victor Milner. The cast: William Powell, Kay Francis, Carole Lombard, Gilbert Emery, Olive Tell, Martin Burton, John Holland, Frank Atkinson, Maude Turner Gordon. MAD PARADE — A Herman M. Gumbin picture, released by Paramount. Directed by William Beaudine; from the original play by Gertrude Orr and Doris Malloy; dialogue by Henry McCarthy and Frank R. Conklin; assistant director, Gene Anderson; production manager, Sidney Algier; photographers, Charles van Enger, Glenn Kerschner, Ernie Miller; recording engineer, William Fox; sound, R. C. Clayton; effects by Carl Hernandez; film editor, Richard Cahoon; settings by Charles Cadwallader. The cast: Evelyn Brent, Irene Rich, Louise Fazenda, Lilyan Tashman, Marceline Day, Fritzi Ridgeway, June Clyde, Elizabeth Keating, Helen Keating. MEN CALL IT LOVE— A Metro-Goldwyn-Mayer picture. Directed by Edgar Selwyn; adapted from Vincent Lawrence’s play, Among The Married ; dialogue continuity by Doris Anderson; recording director, Douglas Shearer; photographer, Harold Rosson; art director, Cedric Gibbons; wardrobe by Rene Hubert; film editor, Frank Sullivan. The cast: Adolphe Menjou, Leila Hyams, Norman Foster, Mary Duncan, Hedda Hopper, Robert Emmett Keane, Harry Northrup. PARTY HUSBAND— A First National picture. Directed by Clarence Badger; story by Geoffrey Barnes; adaptation and dialogue by Charles Kenyon; photographer, Sid Hickox; art director, John J. Hughes; film editor, Frank Ware. The cast: Dorothy Mackaill, James Rennie, Dorothy Peterson, Joe Donahue, Donald Cook, Helen Ware, Paul Porcasi, Mary Doran. STEPPING OUT— A Metro-Goldwyn-Mayer picture. Directed by Charles F. Riesner; play by Elmer Harris; dialogue by Elmer Harris and Robert E. Hopkins; photographer, Leonard Smith; recording director, Douglas Shearer; art director, Cedric Gibbons; wardrobe by Rene Hubert; film editor William S. Gray. The cast: Charlotte Greenwood, Leila Hyams, Reginald Denny, Lillian Bond, Cliff Edwards, Merna Kennedy, Harry Stubbs, Richard Tucker, Kane Richmond, Wilson Benge. SUBWAY EXPRESS— A Columbia picture. Directed by Fred Newmeyer; from the play by Eva Kay Flint and Martha Madison; adaptation and dialogue by Earl Snell; photographer, Joseph Walker; recording engineer, E. L. Bernds; assistant director, David Selman; art director, Harrison Wiley; technical director, Edward Shulter; film editor, Arthur Huffsmith. The cast: Jack Holt, Aileen Pringle, Fred Kelsey, Jason Robards, Alan Roscoe, William Humphrey, Ethel Wales, Bertha Blackman, Max Asher, Earl Seide, Lillianne Leighton, Maston Williams, Robert Linden, Harry Semeles, Robert St. Angelo, John Kelley, Dorothy Bay, James Goss, Sally St. Claire, Mary Gordon, Ginger Connolly, Selmer Jackson. SV ENG A LI— A Warner Brothers picture. Directed by Archie Mayo; based on the novel by George Louis DuMaurier; screen play and dialogue by J. Grubb Alexander; photographer, Barney McGill; art director, Anton Grot; wardrobe by Earl Luick; technical effects by Fred Jackman; film editor, William Holmes. The cast: John Barrymore, Marian Marsh, Donald Crisp, Bramwell Fletcher, Carmel Myers, Luis Alberni, Lumsden Hare, Paul Porcasi. SWEEPSTAKES— An RKO-Pathe picture; a Charles R. Rogers production. Directed by A1 Rogell; story and adaptation by Lew Lipton; dialogue by Ralph Murphy; photographer, Edward Snyder; recording engineers, C. O’Loughlin and T. Carman; art director, Carroll Clark; costume designer, Gwen Wakeling; musical director, Arthur Lange; film editor, Joe Kane; associate producer, Harry Joe Brown. The cast: Eddie Quillan, James Gleason, Marion Nixon, Lew Cody, Paul Hurst, Fred Burton, King Baggot, Billy Sullivan, Lillian Leighton, Mike Donlin. THE MILLIONAIRE— A Warner Brothers picture. Directed by John Adolfi; based on Idle Hands by Earl Derr Biggers; screen play by Julian Josephson and Maude T. Howell; dialogue by Booth Tarkington; photographer, James Van Trees; art director, Esdres Hartley; wardrobe by Earl Luick; Vitaphone orchestra conducted by Leo F. Forbstein; film editor, Owen Marks. The cast: George Arliss, Florence Arliss, David Manners, Evalyn Knapp, James Cagney, Bramwell Fletcher, Noah Beery, Ivan Simpson, J. C. Nugent, Sam Hardy, J. Farrell MacDonald, Charles Grapewin, Charles E. Evans, Tully Marshall. TRANSPORT OF FIRE— A Russian picture, silent drama based on episodes of the revolt of 1905. Directed by Alexander Ivanoff; photographer, Alexander Gintzboorg. The cast: Gleb Kuznetzov, Fedor Slavski, Nigolay Nichurin, Ksenia Klyaro, Alexei Goriushin, Lev Butarinski. UP POPS THE DEVIL— A Paramount picture. Directed by A. Edward Sutherland; from the play by Albert Haekett and Frances Goodrich; adaptation by Arthur Kober; screen play by Eve Unsell; photographer, Karl Struss. The cast: Skeets Gallagher, Stuart Erwin, Carole Lombard, Lilyan Tashman. Norman Foster, Edward J. Nugent, Theodore von Eltz, Joyce Compton, Eulalie Jensen, Harry Beresford, Effie Ellsler, Sleep N. Eat, Guy Oliver, Pat Moriarity, Matt Roubert. WOMEN OF ALL NATIONS— A Fox Movietone picture. Directed by Raoul Walsh; dialogue by Barry Connors; photography by Lucien Andriot; recording engineer, George Leverett; art director, David Hall; production manager, Archie Buchanan. The cast: Victor McLaglen, Edmund Lowe, Greta Nissen, El Brendel, Fifi Dorsay, Marjorie White, T. Roy Barnes, Bela Lugosi, Humphrey Bogart, Joyce Compton, Jesse de Vorska, Charles Judels. ▼ T T A Methodist View (G. A. Atkinson in The Methodist Times, London) The truth about the talkies is that they are produced in a non-moral atmosphere, which is, in the strictest and most literal sense of the word, diabolical. The Devil is in full spiritual control of modern film production. That is why I used the word “anti-Christian,” and described the present condition of the screen as an “anti-Christian revel.” Norman s ART SHOP THE HOME OF HARMONIC FRAMING Paintings Restored and Refinished 6653 Hollywood Boulevard VISITORS WELCOME ALBERT KELLEY DIRECTOR ¥ Ruth Collier, Inc., Manager