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50
Hollywood Spectator
MAD PARADE—
A Herman M. Gumbin picture, released by Paramount. Directed by William Beaudine; from the original play by Gertrude Orr and Doris Mailoy; dialogue by Henry McCarthy and Frank R. Conklin; assistant director, Gene Anderson; production manager, Sidney Algier; photographed by Charles van Enger, Glenn Kerschner and Ernie Miller; recording engineer, William Fox; sound, R. C. Clayton; effects by Carl Hernandez; film editor, Richard Cahoon; settings by Charles Cadwallader.
The cast: Evelyn Brent, Irene
Rich, Louise Fazenda, Lilyan Tashman, Marceline Day, Fritzi Ridgeway, June Clyde, Elizabeth Keating, Helen Keating.
MERELY MARY ANN—
A Fox picture. Directed by Henry King; story by Israel Zangwill; screen play by Jules Furthman; photographed by John Seitz; recording engineer; E. Clayton Ward; assistant director, Charles Woolstenhulme; settings by William Darling.
The cast: Janet Gaynor, Charles Farrell, Beryl Mercer, G. P. Huntley, Jr., J. M. Kerrigan, Tom Whitely, Lorna Balfour, Arnold Lucy.
MONKEY BUSINESS—
A Paramount picture. Directed by Norman McLeod; from the story by Sam Perelman and Will B. Johnstone; dialogue by Arthur Sheekman; photographed by Arthur Todd.
The cast: Groucho Marx, Harpo
Marx, Zeppo Marx, Chico Marx, Ruth Hall, Thelma Todd, Tom Kennedy, Harry Woods, Rockliffe Fellowes.
MORALS FOR WOMEN—
A Tiffany picture. Directed by Mort Blumenstock; story by Frances Hyland; dialogue by Gene Lewis; photographed by Max Dupont; recording engineer, J. StranSky, Jr.; film editor, Martin Cohn; recorded by R. C. A. Photophone System.
The cast: Bessie Love, Conway
Tearle, John Holland, Emma Dunn, David Rollins, Edmund Breese, Lina Basquette, Natalie Moorehead, Virginia Lee Corbin, Otis Harlan, Wilbur Higby, Walter Perry, Crauford Kent.
MY SIN—
A Paramount picture. Directed by George Abbott; based upon a story by Fred Jackson; screen play by Owen Davis and Adelaide Heilbron; photographed by George Folsey.
The cast: Tallulah Bankhead,
Fredric March, Harry Davenport, Scott Kolk, Anne Sutherland, Margaret Adams, Lily Cahill, Jay Fassett, Charles Fang.
NIGHT LIFE IN RENO—
Produced by Supreme Pictures Corp. Directed by Raymond Cannon.
The cast: Virginia Valli, Jameson Thomas, Dixie Lee, Arthur Housman, Clarence Wilson, Pat O’Malley.
PARDON US—
A Hal Roach picture, released by Metro-Goldwyn-Mayer. Directed by James Parrott; dialogue by H. M. Walker; photographed by Jack Stevens; recording engineer, Elmer Raguse; film editor, Richard Currier.
The cast: Stan Laurel, Oliver
Hardy, Wilfred Lucas, Walter Long, June Marlowe, James Finlayson.
PERSONAL MAID—
A Paramount picture. Directed by Monta Bell; story by Grace Perkins; adaptation by Adelaide Heilbron; photographed by Carl Freund; recording engineer, C. A. Tuthull; film editor, Arthur Ellis.
The cast: Nancy Carroll, Pat
O’Brien, Gene Raymond, Mary Boland, George Fawcett, Hugh O’Connell.
RECKLESS LIVING—
A Universal picture, produced by Carl Laemmle, Jr. Directed by Cyril Gardner; from the play, On the Up and Up, by Eva K. Flint and Martha Madison; screen play by Courtenay Terrett; adaptation by Tom Reed; supervising scenario editor, Richard Schayer; photographed by Jackson J. Rose; recording engineer, C. Roy Hunter; dialogue director, Perry Ivins; art director, Walter R. Koessler; film editor, Harry W. Lieb; editorial supervisor, Maurice Pivar; associate producer, E. M. Asher.
The cast: Ricardo Cortez, Mae
Clarke, Norman Foster, Marie Prevost, Slim Summerville, Robert Emmett O’Connor, Thomas Jackson, Louis Natheaux, Murray Kinnell, Russell Hopton, Perry Ivins, Brooks Benedict.
ROAD TO SINGAPORE —
A Warner Brothers picture. Directed by Alfred E. Green; based on the play by Roland Pertwee; from a story by Denise Robins; screen play and dialogue by J. Grubb Alexander; photographed by Bob Kurrle; film editor, Bill Holmes.
The cast: William Powell, Doris Kenyon, Marian Marsh, Louis Calhern, Lumsden Hare, Ethel Griffies, Alison Skipworth, A. E. Anson, Douglas Gerrard.
SIDE SHOW—
A Warner Brothers picture. Directed by Roy del Ruth; story by Will K. Wells; screen play by Arthur Caesar and Raymond Enright; photographed by Dev Jennings; film editor, Jim Gibbons.
The cast: Winnie Lightner, Evalyn Knapp, Louis Alberni, Charles Butterworth, Donald Cook, Fred Kelsey.
SKYLINE—
A Fox picture. Directed by Sam Taylor; based on Felix Riesenberg’s novel, East Side, West Side; screen play and dialogue by Kenyon Nicholson and Dudley Nichols; photographed by John Mescal; recordingengineer, W. W. Lindsay; art director, Duncan Cramer; associate producer, John W. Considine, Jr.
The cast: Thomas Meighan, Hardie Albright, Maureen O’Sullivan, Stanley Fields, Myrna Loy, Donald Dillaway, Jack Kennedy, Alice
Ward, Irene Hunt, Robert McWade, Dorothy Peterson.
SOB SISTER—
A Fox picture. Directed by Alfred Santell; from the novel by Mildred Gilman; screen play by Edwin Burke; photographed by Glenn MacWilliams; recording engineer, George Leverett; assistant director, Marty Santell.
The cast: James Dunn, Linda Watkins, Molly O’Day, Minna Gombeli, George E. Stone, Charles Middleton, Eddie Dillon, Howard Phillips, Ernie Wood, Lex Lindsay, Harold Waldridge, Neal Burns, Russ Powell, Harry Beresford, Sarah Padden, George Byron, Lucille Ward, Edwin Sturgis, Maurice Black.
SPIRIT OF NOTRE DAME—
A Universal picture. Directed by Russell Mack; screen play by Richard Schayer and Dale Van Every; added dialogue by Walter de Leon; photographed by George Robinson; recording engineer, C. Roy Hunter; art director, Danny Hall; film editor, Robert Carlisle; editorial supervisor, Maurice Pivar; production supervisor, Richard Schayer; produced by Carl Laemmle, Jr.
The cast: Lew Ayres, William
Bakewell, Frank Carideo, Andy Devine, Harry Barris, J. Farrell MacDonald, The Four Horsemen — Don Miller, Elmer Layden, Jim Crowley, Harry Stuhldreher — Nat Pendleton, Sally Blane, Adam Walsh, Bucky O’Connor, John Law, Moon Mullins, Art McMannon, A1 Howard, John O’Brien.
THE BARGAIN—
A Metro-Goldwyn-Mayer picture. Directed by Robert Milton; from the Philip Barry play, You and I ; adaptation by Robert Presnell; photographed by Sol Polito; film editor. Jack Rawlins.
The cast: Lewis Stone, Evalyn
Knapp, Charles Butterworth, Doris Kenyon, John Darrow, Oscar Apfel, Una Merkel
THE SPIDER—
A Fox picture. Directed by William Cameron Menzies and Kenneth MacKenna; from the play by Fulton Oursler and Lowell Brentano; continuity and dialogue by Ban-y Conners and Philip Klein; photographed by James Wong Howe; recording engineer, Alfred Bruzlin; assistant director, R. L. Selander; associate producer, William Sistrom.
The cast: Edmund Lowe, Lois
Moran, El Brendel, John Arledge, George E. Stone, Earle Foxe, Howard Phillips, Manya Roberti, Kendall McComas, Purnell Pratt. William Pawley, Jesse de Vorska, Warren Hymer, Ruth Donnelly.
TWENTY-FOUR HOURS—
A Paramount picture. Directed by Marion Gering; screen play by Louis Weitzenkorn; based on the novel by Louis Bromfield and the play by William C. Lengle and Lew Levenson; photographed by Ernest Haller.
The cast: Clive Brook, Kay Francis, Miriam Hopkins, Regis Toomey, George Barbier, Adrienne Ames, Charlotte Granville, Minor Watson, Lucille La Verne, Wade Boteler, Robert Kortman, Malcolm Waite.