Home Movies (1942)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

HOME MOVIES FOR NOVEMBER PACE 435 on a Moviola film editor and positioning the sound track accordingly. Each scene had to be synced separately, of course. It was not possible to use the professional clap boards for a picture of this sort. During editing, we also made two sound tracks. One track, the original music track, remained uncut. The other contained the sound effects and was later rerecorded with the music into one track for printing purposes. The photography was first edited as a blackand-white ""scratch" print. This practice is common in both the professional and commercial fields. This cheap "scratch" print of the color film serves the purpose of portecting the original rntil the picture is assembled in its final form. At that time, the orig'nals are assembled to match exactly the work print. As a final touch the film was effectedited by a Calvin Company staff editor. Fade-outs, dissolves and various wipes were added. The picture screens for just a little over three minutes. Our ""End" title was superimposed over the last few seconds of singing action. The credit title following this contained as sound only the drone of planes. Photography was done by Lloyd Thompson, scenario and editing by the writer with the assistance of Bob Davis, and art work by Fred Kautzman, all of Kansas City, Mo. I .Movie^y future kUtory. book^ • • • Continued from Page 429 Castle Films' "News Para<le of 1942" now being sold through camera shops, departmnet stores, visual aids distributors and wherever 8mm. and i6mm. motion pictures are on sale or rented. Subject to last-minute changes, the job of editing the stupendous events of the past year into a vivid, comprehensive reel has been completed. This year's "News Parade" is, for Americans, the most significant of them all, embodying as it does almost a full pictorial year of the United States at war. The News Parade of the Year is particularly important because it is the only known film covering the news of the entire year. For us, naturally, the war activities of Americans are of most interest. The News Parade this year features not only the "global war" as a whole, but also our relationship to it. There are vivid scenes of our armed forces in Iceland, the British IsJes, China and India. Somehow, these pictures of Americans on the far-flung battle fronts do more than anything else to bring home the ''Oft OK^ (Hwce MmefM MAKE YOUR TRANSITIONS WITHA^^ CINE FADER tect Thousands of movie makers have testified to the efficiency of this precision-built, automatic "trickster". 64 varieties of fades and vignettes can be made with the BOOL on any movie camera. Perfectly timed lapdissolves when used on movie cameras with rewinding mechanism. Built in Switzerland, of stainless steel, with precision clock-work mechanism to last for years. You simply fasten it to your camera lens by means of adjustable setscrews— any camera lens for 8mm and 1 6mm— wind the mechanism and press the button-the BOOL CINE FADER does the rest. Booklet with BOOL gives complete instructions for all transitions. So simple, anyone can do it. Still priced at $18.75 including Excise Tax, while they last. At your dealer's, or order from us direct. Fully guaranteed. 155 Ult 44tll $lrt»l, N«w Yofk, M.Y., Weil Cooit Reprejenioiive: Fronk A. Emmet Co., 2707 W. Pico St., Lot Angeles, Collfornio HOMf MOV/fS TITLE CENTERING GUIDES EACH Available for every popular make and mode:) 8mm. and 16mm. cine camera are these simple centering guides that assure quick, accurate centering of camara with title bo^rd — regardless of size of title cards used. Merely place guide in card holder (with typewriter titlers) line up through camera viewfinder, and shoot title. Large title areas require enlarging guide lines with ruler and pencil according to illustrated instructions. Centering guides, printed on durable paper stock, available for the following cameras:: SMM. REVERE (ALL MODELS) 8MM. KEYSTONE 8MM. MAGAZINE CINE KODAK I6MM. CINE KODAK 'K" 8MM. SINGLE LENS FILMO FILMOS— ALL "yO" MODELS 8MM. TURRET FILMO I6MM. FILMO "121" 8MM. CINE KODAK 20 I6MM. FILMO "141" 8MM. CINE KODAK 25 I4MM. CINE KODAK E 8MM. CINE KODAK 40 I6M. VICTOR I6MM. KEYSTONE A3, A7 AND 81 BE SURE TO SPECIFY MAKE AND MODEL OF CAMERA WHEN ORDERINC! HOME MOVIES eoeo sunset boulevard, HOLLYvy^ooD, caliif.