Home Movies (1942)

PACE 440 HOME MOVIES FOR NOVEMBER HOME MOVIES Xo more use for your camera or projector? Send it to me for best CASH price ... or write for quotation. I also trade . . . and you always get the best deal. Try me today. Charles Bass President NEW and USED Cine Kodak Specials, Filmo, Revere, Graphics, Graflex, Argus, Leica, Confax Write Dept. HM New Bmm. HOLLYWOOD FILM Going Like Wildfire Price Includes guaranteed maehlne preeeiilng. AMBERTINT $1.25 A prectlcal tmy-dty film for outdoor!. Fln«(r>lii. seml-ortho, wide latitude. OUTDOOR $1.25 Excellent outdoor film with enourh ipeed for »lmoit tll conditions. Wide latitude. All film machine processed under Eastman Kodak Ce.'a patents California Customers Include 8al«i Ttx HOLLYWOODLAND STUDIOS iOUTH GATE CALIFORNIA 8 ENLARGED « f\ TO Id REDUCED TO 8 Black and White and Kodachrome CEO. W. COLBURN LABORATORY Special Motion Picture Printing 995-A MERCHANDISE MART CH ICAGO Notice to Movie Fens If you tak* movies (Smm or 10mm) j<m ■impljr cannot afford to be without a Free copy of tlie Utert Phot« Bargain Book now being distributed throughout th« U. S. Lists all the beat moving picture equipment frora all the leading manufacturers, describes them. The pricae aeve you money In many cases. You'll find the latest In lenses, screens, meters, projectors, cameras, fllzm, titlers, editing outfits, tripods, books on editing, tltllnc. vtc. This Bargain Book Is invaluable to you as an equipivent REFERENCE book. Don't welt e day longer to send for your Free copy. Write us naw. CtNTRAL CAMERA COMPANY ZaO S. Wabash Dept. K-9 Chicago. Illinois Distinctive TITLES and expert EDITING For the Amateur and Profeesional i6mm — 8mm Black & White, Tinted and Kodachrome Write for our new illustrated catalog 5TAHL EDITING & TITLING SERVICE 33 Weft 42nd Street New York, N. Y. PROTECT FILMS k AGAINST CLIMATE. SCRATCH MOVItS V t f.r STILLS VAP^O-RATE ASK YOUR DEALER OR PHOTOFINISHER VAPORATECO. INC." BELL ft HOWELL CO. IM W. 4«tti St. ini Larehmont. Chleage New York, N.Y. 718 No. Libret. Hellywood ES. STAINS. FINGERMARKS-THE WAT THE U. S. GOVERNMENT AND THE HOLLYWOOD PRODUCERS DO endeavor to prepare the right kind of material for editing at the time of shooting. In time, the more experienced cinefilmer will learn to appraise the subject on which he is about to train his camera lens ; will analyze its most interesting point, then build gradually toward this point with one or two shots, climaxing with the closeup. And this applies to all the average subjects of amateur movie filming: children, flowers, vacation trips, etc., as well as to the more serious kind of motion pictures. Before we can have continuity we must have sequenses of shots which move logically to a climax. These, edited together properly, will provide continuity. (Eackg^roundA ^or titled . . . O Continued from Page 426 camera, and certainly at much less expense. Prints for such background use should be slightly diffused and printed quite dark as shown in Fig. 2. The lettering, of course, should be white where black and white reversal film is used for the titles. For positive film titles, a negative or "reverse" print should be made of the background illustration and the title text lettered in black. If the background subject is a photograph or picture of value which would be marred by lettering, the lettering can be applied on a panel of celluloid or glass and this laid over the background illustration. This expedient may also be followed where rough fabrics or paper are used for the background. Double exposure is still another method by which valuable backgrounds may be used without the necessity of apply ing lettering to them. The title is lettered or printed on a flat black card and photographed. The film is then wound back in the camera and the background photographed next. Result will be a superimposition of the title over the background which is the method followed by many professional titlemakers. A feature of this method is the fact control of contrasts is permitted. The background exposure can be reduced to obtain the required subdued effect. In short, the rule to be followed in making titles is to "keep the background in the background" for subtitles — don't let the background dominate the title. EMULSION RATINGS FOR 8MM AND 16MM FILMS AGFA ANSCO 16mm SSS Pan. 16 Hypan _ 16mm Panchromatic 16mm Supreme Pan. NeeatiTe... 16mm Positive 16mm Plenachrome 8mm Twln-8 Hypan 8mm Filmopan Twin 8mm Pan Twin 8mm SSS Pan. Straight 8 Pan ••DUPONT Regular Pan (Ber. ) Typ« 321._.. Super Pan (Rev.) Typ* 302 Sup.-2 (N-PorHT.) Type 301... T>i>e 314 Pan (N.-P. or BeT.). Positlte Type 600 Sound Record. Pos. Type 60L_ I I I 29 I 27 .1 24 I 23 I 21 I 20 .| 27 I 25 .| 12 I 8 .1 20 I .1 24 I 23 .1 24 I 23 .| 20 I 18 .| 29 I 27 .1 24 I 23 I I I I .1 20 I 18 .1 29 I 28 .1 26 I 25 .| 21 I 20 • I 12 I _ .1 17 I 9 EASTMAN 16mm Super XX Pan 16mm Super X Pan 16mm Safety 16mm Sound Pan 16mm Pan. Negative 16mm Positive 8mm Super X Pan. „. 8mm Regular Pan _ Kodachrome (8 and 16mm) — Kodachrome "A" (8 and 16mm) GEVAERT Super Reversal Panchro Ortho _ _ I I I I ..!_.! .... -I 24 I 23 -I 20 I 18 -I 23 I 21 .-! 23 I 21 16 I 10 ..i 23 I 21 ..| 18 I 16 _| 18 I 14« ..I 18' I 21 I I I I .-I 23 I 21 ..| 20 I 18 -.1 21 1 17 100 I 32 I 16 I 64 I 3 I 12 I 32 I 32 I " 1100 I 32 I I I 12 1100 I 64 I 16 I 2 I 6 H Q 80 125 I 24 I 48 I II I 34 I 40 1100 I '.l I ii I 24 I 48 I 24 I 48 I 10 I 16 I 80 1125 I 24 I 48 I I I I I 8 I 16 I 80 1 _„ I 40 I 48 I 12 I 11/6 I I 1 I „ 1100 I 32 I 12 I 24 I 24 1 5 I 24 I 8 I I 8 I I 8" I I I I 24 I 12 1 16 I 80 1125 24 I 48 8 I 16 16 I ™ 16 I 32 3 1 16 20 I 32 5 I 12 3*1 12 I 12 I 12' I I I I 16 I 32 I 8 I 16 6 I 24 12 GENERA I Super Meteorpan I J7 | 25 64 Super Panchromatic | 24 | J3 24 Super Ortho I 21 I 17 16 Jlovetone Ortho ( 19 | 13 | 16 Seml-Ortho I 18 I U | 8 I I KtS-O-VUX I I No. 1 1 18 I No. 2 1 20 I No. 3 I 26 I 24 No, 3 Gold SeaL | I 29 I I HOLLYWOOD I I 8. S. Pan I 26 I 25 Pan I 21 I 20 Seml-Ortho I 18 I 12 I I UNIVEX I I Standard I 17 I 14 Ullrapan I 20 I 18 Ultrapan Super-Speed. | 23 | 21 I I GAMMACHROME I I I I Regular I 18 I 10 j 8 1 3 Plus .,..| 20 I 17 I 12 I 6 Superpanez No. 100 I 29 I 27 1100 | «4 Superpanex No. 24 I 23 I 21 I 24 I 16 Colortono | 18 I 10 1 8 I 3 40 1< « 6 2 I I I I I « I _ I 12 I I 50 I 40 I 1100 I I I I I 50 I 40 I 16 I 12 18 12 I I I I I « I — I 12 I « I 24 I 16 I I ••Ratings tor last four Dupont films are for straight development. Ratings for reversal depend upon processing formulas and technique employed. •With filter.