Home Movies (1943)

PACE 410 HOME MOVIES FOR DECEMBER 8mm. BRUNO GLAMOUR FILMS 16mm. GORGEOUS Series of Home Movies by BRUNO of HOLLYWOOD Starring the World s Most Beautiful Girls. PHOTOGRAPHER'S MODEL. B&W 50 ft. 8min. $3.73: 100 ft. lb'mm. $4.75. Movies for grownups; also children. Latest Releases, Castle, Official. Hollywood Kilms, Color. B&W. Silent or Sound, 2x2 B&W Slide Sample, 25c coin. Stamp brings lists. No post cards, please. "GLAMOUR IN GRASS SKIRTS." Native Hula Girls. B&W sample 8mm. reel $1.00; llimm. $2.00; Complete lists, sample 10c coin. No post cards, please. "LORELEL." An outstanding Glamour Film Starring Seven Beautiful Hollywood Girls. 50 ft. 8mm. $2.00; loo ft. 16mm. $i.oo. "WA1K1KI HULA GIRLS." Again Available in Beautiful Kodachrome! 50 ft. 8mm. $6.50; 100 ft. lSmm. $13.00. (12 Kodachrome Travel Films.) Color Sample, lists 10c coin. SUPER CINEPAN REVERSAL Speed 21-16 Non-Halation Base. Lab. Packed Dbl. 8—33 ft. $1.50; 100 ft. $4.00; 400 ft. $15.00 8gl. 8—33 ft. $ .90; 100 ft. $2.50; 400 ft. $ 8.50 16mm. 100 ft., $4.00: 400 ft., $15.00. SUPER CINEPAN PLUS REVERSAL Speed 64-40 Non-Halation Base. Lab. Packed Dbl. 8—33 ft. $1.75; 100 It. $4.25: 400 ft. $16.00 Sgl. 8—33 ft. $1.15; 100 ft. $2.75: 400 ft. $ 9.00 16mm.; loo ft. $4.25; loo ft. $16.00 MOVIE TITLES ARE EASY TO MAKE CINE-KODAK POSITIVE TITLE FILM Laboratory Packed. Photoflood Light Speed 6. Dbl. 8 33 ft. 05c; 100 ft. $1.50; 400 ft. $5.50 Sgl. 8 33 ft. 45c; 1O0 ft. 1.00; 400 ft. 3.50 16mm 100 ft. 1.25; 400 ft. 5.00 Clear, Yellow, Amber, Lavender, Special Blue No. 16mm. Special Blue. Laboratory Packing means no camera spools nor processing Included. Title Instructions Free with Film Orders. MISCELLANEOUS BAIA precision All-Metal 8mm. Film Slitter... $3.00 BOLEX CINELAC. film preservative, bottle 1.00 BOLEX LENS CLEANER, bottle 35 WELD-ALL FILM CEMENT, safety or nitrate 25c TITLE DEVELOPER, tubes. Each make 16 oz... .15 HYPO FIXING BATH, tubes, each make 16 oz. .15 HOME MOVIES. Back Numbers, 1937-1938 15 1940-1941-1942-1943 30 1937— May, June, Sept., Dec. 1938— April. Aug., Sept., Oct.. 1910 — March. April, May, Aug., Oct., Nov. 1941— April. Nov., Dec. 1942— May. June. July, Sept.. Oct.. 1943— Feb. CAMERA SPOOLS WITH CANS — Each Double 8, 50c; lSmm. 100 ft., 85c; Univex. 20c. Double 8 Metal Spools Have Paper Containers. EXTRA CANS Double 8mm. (PAPER ONLY) 10c. 16mm. (metal) 25c. Univex (metal) 10c W. STUART BUSSEY FILM LAB. 17 E. ST. JOSEPH ST. INOIANAPOLIS 4. IND. 3827 ARCHER AVE. Dept. HM. CHICAGO (32) ILL. -55/, STOP "APOLOGIZING" for your movie titles # To prove how easy it is to make beautiful professional-looking titles. . . A-to-Z offers you a • SAMPLE TITLE KIT— FREE • Send for your kit today — Buy now for Christmas. A-to-Z MOVIE ACCESSORIES 175 Fifth Ave. Dept. H 57 New York 10. N. Y. 8MM. — HOLLYWOOD FILM — 1 6mm. HI SPEED WESTON 100-80 25 Ft. Dbl. 8, $3.00 100 Ft. It, $5.75 New and Improved Outdoor 25 ft. Dbl. 8mm. $2.25 100 ft. 16mm. $3.50 including machine processing HOLLYWOODLAND STUDIOS «20 CALIFORNIA AVE. SOUTH GATE, CALIF. Jbrama 3n Nature filming, . . . • Continued from Page 400 searching for ourselves in the world about us. It could not be otherwise. We would have no way to create other criteria than our own sentiments. In light of our experience it presents something of an anomaly, and yet it is true that we have within us an instinctive love of that which is good, just, and admirable. Seldom does our human behavior measure up to the high standards which our better instincts whisper, but nevertheless we hold to those highest ideals through all the troubles, trials, and transgressions which sweep our experience. We prize highly the sentiment of perfect friendship, the love of lovers, the unity of families, the protection of young, the loyalty of children to parents, and the purest morality. We think in terms of honor, honesty, courage, sincerity, and other natural virtues, even though we may not always live in accordance with these standards. Books, plays, and pictures must have the happy ending to please the majority — we expect the best. There is an unseen master censor in general consciousness who judges things from the viewpoint of the Divine quality they ought to have. Looking at this fact philosophically, the inference is grand and encouraging. It may mean (and I believe it does!) that in our evolution we never shall pause until the highest standard of humanhood has been attained. In the meantime our hearts keep in view the grand goal and cause us constantly to look for that greater goodness in our surroundings and passing events. Hence, we want that elephant mother to have concern for her offpring, and to extricate the youngster from any kind of difficulty in which it becomes entangled. It is what the best human motives would do. And when we see this happy act depicted on the screen, it is no longer just a picture but rather is a part of ourselves, justifying our judgments and strengthening our faith in that to which we want to remain faithful. SAM CAMPBELL if The author, Sam Campbell, genial, young-hearted Philosopher of the Forest, is well known in America. His woodland retreat, the Sanctuary of the Wegimind, centers a large game refuge within the limits of the Nicolet National Forest in northern Wisconsin. Here he has lived for years as a practical naturalist, a friend of all forest animals. His most recent book, "How's Inky," all about his pet porcupine, is in tremendous demand. His current lecture tour will carry him into practically every important city in the midwest, and will feature his fine 14mm. movies of wild life. Next month, we shall present another of Sam Campbell's articles, "Continuity In Nature Films." No avid movie amateur will want to miss it. —EDITOR. Fortunately, nature is not lacking in such scenes and sentiments. They need be searched out, recognized, and appropriated, but they are available. For the world in which we live seems to be truly "One World" in the scientific sense as well as the political sense. All creatures that live are of the same stamp as we are, and their existence is in accord with the same laws. Their natures vary with us not in kind but in degree. There is friendship in nature, there is loyalty, and there is devotion, sacrifice, honor, morality. There is family life, love of home, the care of young, provision for families, devotion of mates, and with many species a strict monogomy. There is humor, cleverness, wisdom. There are pranks, problems, heart-touching yearnings, and soft sympathies. All those things which move us are woven into the mosaic of nature, in creatures, plants, rocks and rapids, stars, sun and satellites. Sometimes they are a bit concealed, as the most valuable things always are, but they exist and can be found. And it is this element that makes the most suitable seeking when we take our cameras forth and start hunting in nature. With this realization in mind we will demand more of ourselves in making nature films. It will not satisfy us to get a picture of a robin, no matter how fine the exposure, unless that robin is doing something that reaches human sentiments and gives the dramatic touch to our scenes. It may build a nest, showing love of home in the way we know it. It may hold devotedly to hatching its eggs — for we revere devotion. It may feed the big mouths of little birds which reach helplessly and dependently up to it. Providing for children is a rich sentiment with all of us. And if the redbreast mate will carry in food (as he does), if he will stand by his family — that picture will stir our hearts, for it shows life as we believe it should be lived. In one of my lecture reels are some scenes of the two bear cubs, Bunny