Home Movies (1944)

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PACE 114 HOME MOVIES FOR MARCH Oe?v KIN 0 LUX A GOOD MOV/£ fllM Of "UNIfOSM" QUALITY "KNOWN" BY PHOTOOH+PHMS . . . StCOMMtNDED SV R£/>UTAStf 0EAUF8S. . fVfmV«f»£ KIN-O-lUX, INC. 105 WEST 40th STREET • NEW YORK 18, N. Y. 50 Jdeai lor Vacation Films Continuity Ideas For Your Films If you are planning a movie for your vacation, or want to heighten interest in your last vacation film with a good running gag, this booklet offers 50 fresh, professionally-conceived continuity ideas that any amateur movie maker can use. Replete with interesting and humorous story plots, ideas for running gags, plus several timely art title backgrounds. ORDER NOW! Only 25 c C°PY HOME MOVIES 4060 SUNSET BLVD. HOLLYWOOD 28, CALIF. in order to insure highest possible contrast between letters and background. To be easily readible, the white letters must stand out sharp and clear from the background and this can only be insured if the letters are white to begin with and then so photographed that they are neither over or under-exposed. Careful exposure of the action background is also important. Naturally, the background must be subdued if the title text is to stand out in sharp contrast. Therefore, the background composition must not contain any great areas of sky, water or of any other light colored objects, otherwise such areas will absorb definition of any title text superimposed over it. Best results seem to follow where the background is exposed at one full stop less than would be required for a regular scene under the same light conditions. In other words, take a meter reading, then reduce lens opening one full stop below that indicated by the meter. Double exposed titles are appropriate as lead titles, i. e., main and credit titles; also for end titles. They should not be used as subtitles. Subtitles should be as simple as possible — plain backgrounds unadorned by any decoration, and plainly lettered. Action or decorated backgrounds in subtitles only detract attention from the text and do not permit sufficient time to read and assimilate the message. But as window dressing for the opening title, an action background lends distinction, gets a picture off to a good start. JSew Color 3ilm£ Coming, . . . • Continued from Page 106 while the bath Ansco is using is understood to take 3 5 minutes. The stop-bath is 1' ( acetic acid. After a two-minute rinse, the film can be re-exposed for about 5 minutes to a No. 1 photoflood, then color developed, or it can be re-exposed while in the color developer. The following bath is typical: Diethyl-paraphenylene-diarriine hydrochloride 1 g. Sodium or Potassium Carbonate 20 g. Water to 1000 cc. This formula takes 8 minutes. As it contains no sulphite, it must be made up immediately before use. For stock solutions, a small amount of sulphite may be added, but sulphite strongly inhibits the color formation, and must be used with caution. After the stop-bath and rinse, the film goes into the bleach bath, contain1 5 g. of Potassium Bromide or common table salt per litre. When the silver has been thoroughly bleached, the film goes