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MEET Cine-Chat, a new once-in-a-while feature to help you keep posted on Kodak movie news. This month, Cine C/iaf brings you news of two Kodak developments and offers a few up-to-the-minute tips on filming. But here's a tip that's up-to-date any month: For the finest in movie film and equipment, keep in touch with your Kodak dealer!
Sound Kodascope FS-10-N . . . Now In A Two-Case Outfit
Sound Kodascope FS-IO-N, the single-case sound and silent 16mm. projector introduced during the war — the ^^N'' stands for ^^Navy" — is now being produced as a two-case outfit. j One case holds the speaker, Cordomatic connecting cord, 1600-ft. take-up reel, power cord, and extra lamps. The other, the projector itself. Both cases are handsomely finished in black
boar-grain Kodadur.
And, incidentally, both the projection and condenser lenses are coated — ^^Lumenized^ for best screening results.
Better see your dealer about this superior, yet reasonably priced projector. As with all good things, unfortunately, the supply of the two-case Sound Kodascope FS-IO-N will be limited for some months to come.
You can load, interchajige, and unload the film magazines of a Magazine Cine-Kodak — any time — without loss of a single frame. (
You will have the same success in loading or unloading a roll-film movie camera — if you use a little care. You can load it in direct sunlight, but why take the chcince when you Ccin turn your back to the sun? See that the film remains snug against the spool . . . run it for a few seconds to be sure it's properly looped and threaded before putting on the cover . . . then run it for several seconds more before ' starting pictiire making — there's extra footage for just this purpose.
Stop movie making at "0" — but run off the additional extra footage at the end of the roll until the footage indicator points to "Empty" before removing the film, or, with an ''Eight," turning the spool for its second running. Again keep the film snugged against the spool — and you should have no "lost" movie scenes at the beginning or end of a roll ... no irritating "edge fog."
★ ★^^
Believe it or not — every year Kodak processing stations receive hiindreds of rolls and magazines of film for processing, totcdly devoid of identifying return names and addresses on the cartons. And meiny others are so hastily or illegibly inscribed that