Home Movies (1950)

Cleverly animated beautifully illustrated. That professional look . . Quick Service! FILM AC K LABORATORIES {1323 S. Wabash, Chicago, IUJ Precision Engineered Movie Camera 3y Europe's Finest Camera Craftsmen! EUMIG 88 The Only 8mm Movie Camera With Automatic Built-in Exposure Regulator! The Camera That Thinks For You! EUMIG 88, With Color Corrected, Ana>tigmat "1.9 Coated Lens. . . . S139.50 + ELECTRIC BRAIN ♦ ELECTRIC EYE Popular In Europe For Years! Now Available In The U.S.A.! The outstanding Eumig 88 actually preventsTlncorrect exposure whether you use color or black-and-white fll™: The unique built-in coupled photo-electric cell which controls the diaphragm opening automatically regulates the correct exposure required — • i ' " In addition, you will find other technlcally'advanced features to bring professional picture quality to your 8mm movies — precision clockwork motor with more than average run. single frame release for cartoons and trick work, continuous run lock to take pictures or yourself, automatic film gate for simple threading and precise frame registration, and wide range of speeds for slow motion photography. See tbe Eumig 88 at your Franchised Dealer Or Wrlle Dept. 117 For Free Booklet "E." txdutiv» Diitributor In The U.S.A. CAMERA SPECIALTY COMPANY, INC.— ' FILM LIBRARIES 81AM AND 16MM FILMS . . . WHERE TO RENT OR BUY . . . SOUND OR SILENT ALABAMA BIRMINGHAM Evans Motion Picture Co. 2107 Fifth Ave. North (3) Southern Film Distributors Farley Building MONTGOMERY Photo and Sound Company 116 North Perry Street ARIZONA PHOENIX Movie Center 119 West McDowell St. CALIFORNIA BAKERSFIELD Towne Photo Supply, Inc. 1609— 19th Street HOLLYWOOD Camera Craft Film Library 6764 Lexington Avenue HE 6856 Castle's, Inc. 1529 Vine Street GL-5101 Hollywood Camera Ex. 1600 Cahuegna Blvd. HO. 3651 LOS ANGELES Films Incorporated 1709 West Eighth St. REDWOOD CITY Sequoia Audio-Visual Service 1055M Brewster Ave. Phone: EMerson 4522 SAN BERNARDINO Valley Film Library 1657 E. Street SAN FRANCISCO Brooks Cameras 56 Kearny Street ILLINOIS CHICAGO Films Incorporated 64 East Lake St Ideal Pictures Corp. 28-34 East Eighth St Parthenon Film Libraries P. O. Box 1177-D URBANA Shick Film Service 404 N. Goodwin Ave. KANSAS HUTCHINSON Don E. Roger Film Rental Librai Box 864, 5KW. Sherman LOUISIANNA NEW ORLEANS Delta Visual Service, Inc. 815 Poydras St (12) MARYLAND BALTIMORE Lewy Studios 853 North Eutaw St at Biddle Stark Films 537 North Howard St (1) MASSACHUSETTS BOSTON Don Elder's Film Library 208 Newbury St, Dept. HM N. E. Film Service, Inc. 755 Boylston Street (16) MICHIGAN DETROIT Cosmopolitan Films 3248 Gratiot Avenue (7) MISSOURI ST. LOUIS Swank Motion Pictures, Inc. 614 No. Skinker Blvd. (5) NEW JERSEY PASSAIC The No-Wat-Ka Co. 257 Main St NEW YORK ALBANY Hallenbeck & Riley 558-562 Broadway BROOKLYN Reed & Reed Distributors, Inc. 7508 Third Ave. (9) NEW YORK CITY Commonwealth Picture* Corp. 723 Seventh Ave. Films Incorporated 330 West 42nd St Harris Movie Library 303 West 42nd St (Bank Bldg.) (18) Institutional Cinema Service, Inc. 1560 Broadway (19) Moguli's Films & Camera Exchange, Inc. 55 West 48th St (Radio City) Nu Art Films, Inc. 145 West 48th St SCHENECTADY George's Film Service 724 K State Street (7) OHIO CLEVELAND Sunray Filma, Inc. Film Bldg., 2108 Payne Ave. OREGON PORTLAND Filma Incorporated 314 S.W. Ninth Ave. PENNSYLVANIA AULENTOWN Commercial and Home Movie Sarvioe 727-729 West 19th St. PHILADELPHIA Ted Kruger 3145 N. Broad St READING Hollywood Film Service 116 No. 9th Street RHODE ISLAND PROVIDENCE Samson's Picture Service 35 Portland St (7) United Camera, Inc. 607 Westminster Street (3) TENNESSEE CHATTANOOGA Grady Young Picture*, 837 McCallie Avenue WASHINGTON, D.C. International Cine Society 1300 Taylor N.W., Dept. 102-K WISCONSIN MILWAUKEE Movie Mart 4518 West Burleigh St. Phone: Hilltop 1509 MANY DEALERS LISTED ABOVE RENT PROJECTORS AND SCREENS; ALSO HAVE COMPETENT PROJECTOR OPERATORS AVAILABLE SO Watt 29th Street New York 1, N. Y. Bask Shots • continued from Page 378 one thing, you will note that practically never does one jump from a closeup to a long shot, or from a long shot to a close-up. It's too big a leap. Go from long shot to medium to close, or vice versa. You will also note that most se quences open with a long shot. Not all, but most. (A sequence is one little "chapter" of action, which plays through without a time lapse or change of scene.) That is because the first thing the spectator wants to know is "Where is all this taking place?" Once you have established this setting, and the relation of the characters to it, in a good Long Shot, 292