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U. S. PAT. NO. 2260368
GOERZ AMERICAN
APOGOR
F:2.3
the movie lens with microscopic definition successful cameramen have been waiting for —
A new six element high quality lens for the 16 and 35 mm film camera. Corrected for all aberration at full opening, giving highest definition in black-&-white and color. Made by skilled technicians with many years of optical training. Fitted to precision focusing mount which moves the lens smoothly without rotating elements or shifting image.
This lens comes in C mount for 16 mm cameras. Fitting to other cameras upon special order. Sizes available now: 35 and 50 mm uncoated and 75 mm coated.
Write for prices, giving your dealer's name.
The c p GOERZ AMERICAN
OPTICAL COMPANY OFFICE AND FACTORY 317 EAST 34TH ST., NEW YORK 16, N. Y.
THE ONE SURE WAY TO BETTER COLOR MOVIES
1
ANSWERS TO ALL YOUR QUESTIONS
Fred Bond
TELLS YOU HOW
PRACTICAL COMPLETE CONCISE
This book brings you detailed, exact and understandable answers to every day color movie problems — Kodachrome and Ansco Color, 8 mm. and 16 mm. No padding, no long-winded stuff, just plain facts you need to make BETTER COLOR MOVIES. Covers all major outdoor and indoor exposure problems — the why of filters, which and when to use — simple indoor home lighting arrangements — tables, graphs and data at your finger-tips.
SPECIAL FIELDS
Specific and detailed information on many out-of-the-ordinary color movie problems — Sunsets, Night Street Scenes, Special Effects, Theatricals, Indoor Sports Ev&nts, Close-up of Small Objects, Elapsed Time shooting.
140 pages, 4" x ?" 84 Illustrations, 14 in full color, Cloth Bound
VER HALEN PUBLICATIONS
3923 WEST SIXTH St. LOS ANGELES 5, CALIF.
Un-Lux-Y Day
• continued from Page 275
HAND SET TITLES
FOR SCRIPT WILL BE FOUND ON PAGE 302
his food and drops his hand beneath the table.
Scene 5: Medium close-up (insert) underneath the table as Junior's hand comes down and a dog gobbles up offering. Hand then pats dog's head.
Scene 6: Same as scene 4 as Junior retracts his hand cautiously and continues to eat.
Scene 7: Close-up of dog underneath the table scratching vigorously near father's feet.
Scene 8: Same as scene 2 father eating, pauses unconsciously and scratches his leg. Goes back to food.
Scene 9: Medium shot of mother placing bread in a toaster.
Scene 10: Same as scene 7 dog still scratching.
Scene 11: Same as scene 2 and 8 as father scratches himself a few times slightly annoyed. Returns to breakfast.
Scene 12: Junior notices father scratching, pretends to ignore it but slides low in his chair to reach out at his dog with his feet.
Scene 13: Medium close-up of Junior's feet trying to kick at dog.
Scene llf.: Medium shot of father setting down fork to scratch himself.
Scene 15: Close-up of mother as she sees father scratching and questions him (no title).
Scene 16: Same as scene 14 as father shrugs his shoulders and frowns.
Scene 17: Close-up of Junior slowly readjusting himself in his chair, begins eating and peeks guiltily out of the corner of his eye.
Ssene 18: Close-up of toaster popping up bread.
Scene 19: Close-up of dog underneath table near father's chair still scratching.
Scene 20: Medium shot of all three as father reaches for toast in toaster and because of its warmth juggles it from hand to hand almost dropping it, as he suddenly scratches an itch.
Scene21: Close-up of Junior slumping low in his chair to make another attempt at moving his' dog with his feet.
Scene 22: Close-up of Junior's feet making a last desperate kick but missing the dog as the toe of his shoe lands squarely on father's shin. Quick cut to
Scene23: Medium shot of father painfully reacting and accidentally tossing
the toast he was buttering into the air. Quick cut to
Scene 21^: Short shot. Close-up of Junior sitting up quickly.
Scene 25: Close-up of toast landing on kitchen floor.
Scene 26: Medium long shot of father in pain and hopping about on one foot holding his leg with one hand as the other gently rubs his shin. Mother surprised and bewildered, Junior looking guilty.
Scene 27: (Insert) close-up of dog coming out from under table.
Scene 28: Same as scene 26 medium shot of mother trying to pacify father who is still in pain.
Scene 29: (Insert) close-up of dog starting to eat toast on floor.
Scene 30: Same as scene 24 close-up of Junior trying to motion dog back.
Scene 31: Semi close-up of father as sees dog, stops hopping about as he suddenly realizes what has been going on, looks at Junior and begins to get angry. Quick cut to
Scene 32: Medium shot of Junior still trying to get the dog back, notices his father and quickly straightens up trying to look innocent.
Scene 33: Medium shot of father with mother restraining him as his temper flares.
Scene 31^: Insert same as scene 29. Close-up of dog eating toast. FADE OUT
TITLE: LATER. . . .
FADE IN exterior, day.
Scene 35: Close-up of Father's shin thoroughly bandaged as his hands cautiously pulls down pant leg.
Scene 36: Medium shot of a back yard with mother and Junior standing near father who has one leg up on step or chair as he finishes lowering his pant leg and stands up painfully. Looks angrily at Junior and raises his arm as if to swing at him. Junior reacts by hiding behind his mother while she stands between them and tries to calm father.
Scene 37: Insert. Medium shot of dog with tail between his legs running for cover into dog house or some other hiding place.
Scene 38: Close-up of mother explaining it was an accident.
Scene 39: Close-up of Junior hanging on to his mother's skirt.
Scene Ifi: Close-up of father trying to calm down.
Scene Ifl: Same as scene 36 as father sighs and shrugs his shoulders, mother relaxes and Junior slowly steps out from behind her.
Scene J$: Close-up of dog wagging his tail and coming out of hiding.
Scene 43' Close-up of father as he speaks to Junior waving his finger:
TITLE: "Since this is wash day, you can do your part young man, by giving that flea bitten mutt a bath!"
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