The House That Shadows Built (1928)

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CHAPTER I THE PENNY ARCADE jThe Penny Arcade — it had no name more characteristic, and needed none — stood in 1904 near the point where East Fourteenth Street, crossing Broadway, forms the southern side of Union Square. I for one remember it well; there, a cub reporter fresh from the West, I used to indulge a passion for shooting with the miniature rifle. You paid twenty-five cents for a magazine of sixteen cartridges. That, in the Penny Arcade, seemed ostentatious spending. The standard unit of price for its other diversions and entertainments was one copper cent. By dropping such humble coin into a slot, you could make the automatic gypsy, who nodded reassuringly as she handed out the card, tell your fortune; you could obtain a horoscope with a portrait of your future husband or wife; you could stamp your name and address on an aluminum plate; you could hear, through two little insulators on a wire, the Floradora Sextette, Sousa’s Band, or the ravings of John MacCoullough as transmitted by Edison’s wonderful new invention the phonograph; you could punch the bag in competition with the records of Corbett, Jeffries, Fitzsimmons, and Terry McGovern; you could test your 3