"How I did it," ([c1922])

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Authors 9 Era thought. He compelled the producer to rec- ognize his importance, and before long the producer admitted that the success or failure of a production was almost entirely due to the work of the screen writer. He realized more and more that the continuity, written by the screen writer, was capable of reaping big financial harvests or absolutely spoil any chances the story might have had of success. And eventually a new profession—the pro- fession of photodramatist—came to be rec- ognized by producer, press and public. A photodramatist is not necessarily a con- tinuity writer, or scenario writer. A photo- dramatist is a writer who writes his stories in dramatic pictures. Many of them were schooled and received their training as sce- nario writers; many of them were continuity writers. A number of them now confine their talents to writing detailed synopses of their plots and leave the mechanical work of the script to the continuity writers. The photodramatist, or screen author of today, works in the same fashion that novelists and dramatists do. He isolates himself and 11