"How I did it," ([c1922])

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Authors 9 Era ment of dialogue. Or perhaps they did not know how to build up action. On the other hand, they might have been able to write good dialogue, but lacked descriptive and narrative ability. Therefore, until recently, there was absolutely no market for the material they turned out. Again, lack of sufficient educa- tion prevented the work of many writers from being accepted by literary editors. They might have had wonderful plots, filled with big action, but were incapable of describing that action in a smooth and attractive style. But the moving picture gave these writers an opportunity of disposing of their work. This is due to the fact that the screen pic- turizes the plot, and depends very little on the dialogue or other elements so necessary to good fiction writing. The road of the photodramatist has not been a pleasant one. It hasn't been paved. It was a long, hard trail, and the journey was filled with struggles and discouragements. It was choked with sacrifices and sufferings. But those who have arrived at the brow of the hill will admit to the aspirant that it was 13