"How I did it," ([c1922])

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"How I Did /I" I am going to try and give the reader some real tips on screen writing. In the first place you must have an idea. Don't mislead your- self into believing that you have something new. There are only thirty-six plots known to civilization, and every one of them has been used thousands of times by authors, novelists, playwrights and photodramatists. You may be able to distort, juggle and twist those plots in various ways—perhaps serve them a little differently—but do not think you have some- thing entirely new. There is absolutely nothing new this season. When you are stricken with an idea, and you are convinced that this particular idea can be surrounded with a good story, sit down and write it. Type it. If you can't do that, have it typewritten. Producers are too busy to read stories that are written in long-hand. Get into your story immediately. Don't paint a glorious background with a lot of words which don't mean anything. Meaning- less words only interrupt the action. But on the other hand, don't leave too much to the imagination of the reader. Don't glide over a