"How I did it," ([c1922])

Record Details:

Title:
"How I did it,"
Date:
[c1922]
Publisher:
Los Angeles, Calif. : The Whittingham press
Volume:
"How I did it,"
Leaf #:
00048
Language:
English
Collection:
Books
Format:
Books
Contributor:
University of California Libraries
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
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Mostly About Ideas situation and trust to the producer to work it out. Use your inventive genius and describe in detail the way you think the entire scene should be worked out and the way it should be acted. If you were enthusiastic over your new home, and were writing a relative a long distance from you, you would undoubtedly describe every feature of it in minutest detail. You must be enthusiastic over your story. If you're not, then don't write it. If you are, then you will describe it at great length, just as you would your new home. Put plenty of action into your story. Keep your characters moving all the time. Be careful. Do not make them do a lot of things which are not necessary—not important in the working out of your plot. You must re- member that the screen differs from the stage and the story in that movement is the domi- nating element. The greatest second act ever written for the stage can be reduced to a couple of scenes and one or two subtitles on the screen. That is because the photodrama- tist realizes he must keep his actors moving on the screen, and unless he does so, his audience