"How I did it," ([c1922])

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Mostly About Ideas next instant, chase away the tear with a smile. If you do that, then you've got a story. After you have written it, sit down and read it over carefully. Read it with a critical eye. Forget that it is your story; imagine it was written by someone else. If it doesn't hold your interest then there is something wrong with it. If there is something wrong with it then find out what it is. Don't let it go until you have found out. Remember there is plenty of time. The moving picture industry is here to stay and the producers are always looking for good stories, so there is noticed for you to rush your work. As you read it over, try and put yourself in the position of the man who is going to read it—the man you hope will buy it. Ask yourself the same ques- tions you believe he will ask after he reads it. Do not annoy the producer by sending a long letter to him describing the merits of your story. He is perfectly capable of decid- ing whether the story is worthy of production and he will be quick to discover whatever good qualities it might possess. And it is quite unnecessary to tell him the story is dif- 26