"How I did it," ([c1922])

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Suspense The most important element in a photoplay is suspense. A story that has plenty of thrill- ing suspense is sure to be a success. Every successful photoplay has it. Who can forget that remarkable scene in "The Miracle Man," when that little youngster, who had been physically twisted and distorted since birth, hesitated as he gazed with eyes filled with faith towards "the miracle man." There was sus- pense. The audience sat breathless as it wondered what was going to happen next. In order to prolong that suspense, Director Tucker cut from the boy to Thomas Meighan, Betty Compson and Joseph Bowling. Both Betty Compson and Meighan stood motionless as they stared toward the boy. The situation was worked up to such a height that the audience by this time was experiencing every emotion reflected by the actors, and, when the boy dropped his crutches and started stumb- ling unaided up the path toward Joseph Dow- ling, it was the culmination of a suspense never before equalled on the screen. That scene, alone, was sufficient to make that pic- ture a success. 86