"How I did it," ([c1922])

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

"Hot* / Did It" under the personal supervision of the author." Today the producer is anxious and eager to consult and confer with the author of the story and get his ideas concerning certain effects and situations. The fact that he has been ignored in the past is due solely to the author himself. He has not been willing to realize the importance of the photoplay and the tremendous influence it has with all classes. He has persistently refused to take the screen seriously. I am referring now to the novelist and famous short story writers. The result has been that the screen has developed and introduced its own authors, and they are writers who are willing to devote all their time to writing photoplays and who realize it is a very serious profes- sion, demanding serious work. Those who are willing to take the screen seriously are go- ing to be the ones who will reap the big benefits. To those who aspire to write exclusively for the screen, I cannot impress too much the importance of being sincere and earnest. Do not sit down and write the first idea