"How I did it," ([c1922])

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"How I Did It" which is in all of us. We introduce "Peggy Hughes" in order that we may have the ele- ment of love and romance; without which no story is complete. In order to test his affec- tion for her, we place her in danger. Then we inject the great element of suspense, upon which the success or failure of a story usually depends. We take a mental inventor) 7 and find that we have a plot, romance, adven- ture and lively action. That is all any story needs, and if they are apportioned carefully, and lead up to a thrilling climax, our story will pass the most critical mind. A leading producer informed me some time ago that he noticed a decided decrease in the number of scripts received from the public. He also stated that those received showed a marked improvement, indicating that more care and thought are being taken by aspirants. If those who are endeavoring to write for the screen would appreciate how much depends on the presentation of their story they would spend more time in its preparation. An in- ventor will spend a long time perfecting his invention before he is willing to apply for a 120