"How I did it," ([c1922])

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Adaptations They realize that the screen is a wonderful medium of entertainment and instruction, and has 25,000,000 admirers who enjoy its com- edies, dramas and tragedies, every week. These writers take their work seriously and they are entitled to the reward they receive. Some of them are going to be content to write not more than four or five stories a year in the future. If the producers pay such writers $25,000 each for four or five stories, they will still be able to make a handsome profit on those stories, because they will be the best that the best screen authors will be able to write. It is almost impossible to put a valuation on the work of an individual's brain. A story, providing it is good, is worth just as much as the writer thinks it is. It's worth more prob- ably than he will ever get for it. If it is "just the sort of story that the screen needs" the producer will be quick to discover it. Those who write their stories in long-hand must be satisfied with the reception those stories receive from the producer. Those who spend many real, serious hours each day over