"How I did it," ([c1922])

Record Details:

Title:
"How I did it,"
Date:
[c1922]
Publisher:
Los Angeles, Calif. : The Whittingham press
Volume:
"How I did it,"
Leaf #:
000194
Language:
English
Collection:
Books
Format:
Books
Contributor:
University of California Libraries
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
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Adaptations nique of the studio is quite mechanical, and can be, and actually is being reduced to form, so that it can be taught by correspond- ence." For a director like James Young to take such a step as this should be considered as quite flattering to the writer or student-writer who lives away from the production centres, for Mr. Young's position in the screen world is a very notable one. It will be recalled that when George Arliss was to be presented in his first motion picture starring venture, James Young was chosen by the producers as the logical directorial genius to give the artistic guidance over the wide chasm between the stage and the screen to this most distinguished actor. Likewise when Richard Walton Tully, the noted stage producer, decided to turn his activities and those of his star, Guy Bates Post, toward the motion picture screen, James Young was promtply engaged to direct the first two of the Tully-Post productions, "The Masquerader" and "Omar the Tentmaker." My admiration of his ability comes partly from a pleasant association with him in the 133