"How I did it," ([c1922])

Record Details:

Title:
"How I did it,"
Date:
[c1922]
Publisher:
Los Angeles, Calif. : The Whittingham press
Volume:
"How I did it,"
Leaf #:
000206
Language:
English
Collection:
Books
Format:
Books
Contributor:
University of California Libraries
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Highlights of Production Technicalities It has been apparent to me for several years that many writers have become obsessed with the idea that stories they have completed in their minds, but have never put on paper, are too big to be produced. Without any knowledge of the great resources that are at the command of the up-to-date producer, they allow good plots to slumber, undeveloped and unrecorded, because they imagine the physical requirements of their scripts would take the producer and his players to remote corners of the earth, or put him to some outrageous ex- pense because of some extraordinary locales that play an important part in the filming of the narrative. To offset this very prevalent idea, let me touch lightly on the facilities the producer or director has at his finger tips that will make possible the filming of almost any conceivable type of screenable story. All of the large studios are well-stocked with properties, furniture, tapestries, etc., and have on their stages and on the exterior acre- ages standing sets, both rain and fire-proof, of all the countries of the world. If there is 146