"How I did it," ([c1922])

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"How I Did It" anything wanted, it is built, accurately and in a hurry. Every well-equipped studio has a location department, whose attaches are veritable walk- ing atlases of the world, and in addition they have on file thousands of photographs, de- scriptions and accurate measurements of structures and localities of practically all the countries of the world. Lumber, beaver- board, plaster and paint will serve for the building of a replica of the Houses of Parlia- ment, the Capitol at Washington, a street of India, or an igloo of the Far North. The individual, or independent producer, who has only a small operating plant, can rent anything in the line of sets or furniture from the larger plants. One large studio in Hollywood has eleven warehouses stocked with period, character and modern furniture, from the latest concert grand piano, to the Louis XVI bed, beauti- fully carved and with tapestried canopy. And then there are period and modern vehicles, from the coach of Napoleon and the old Rus- sian droshky to the old New York high-back