"How I did it," ([c1922])

Page scan 000209 from "How I did it,"

Record Details:

Title:
"How I did it,"
Date:
[c1922]
Publisher:
Los Angeles, Calif. : The Whittingham press
Volume:
"How I did it,"
Leaf #:
000209
Language:
English
Collection:
Books
Format:
Books
Contributor:
University of California Libraries
Sponsor:
MSN
Coordinator:
Media History Digital Library
Date Added:
July 19, 2022
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"flow / Did It" Nothing in the line of sets, whether it be on the stage or in the open, is ever overbuilt. The construction is kept within the line of the camera, so that no labor or money is wasted. As the skill of the studio artisan develops, trips on "location" are becoming less and less frequent. Journeys away from the studio cost a great deal of money, and in the majority of cases the producer can build or secure his "lo- cation" right in the studio. By the trick of camera, lighting and con- struction, scenes of almost any country of the world can be made on the studio stage. Rain, ice and snow devices are a very important asset to production within the studio walls, as is the tank. Rain is made by a system of overhead pipes and sprinklers; fallen snow is imitated with salt, and flying snow consists of powdered asbestos released from a wire-net turnstile, and is blown by the propeller of a wind- machine. This device will provide a light breeze or a furious gale. On even the warmest day in Hollywood, while the sun is shining brightly, a log 148