How to add sound to amateur films (1954)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Page DISC AND OPTICAL RECORDINGS 51 Postal Services 51 Music and Effects 54 Master Recordings 54 OPTICAL SOUND PRACTICE 55 Negative — Positive 55 The Cutting Copy 56 EdgeNumbering 57 The Sound Negative 58 Synchronisation Marks 59 Reversal Films 61 Colour Films 63 Blooping 63 USING MAGNETIC RECORDERS 65 The Mechanism 65 Erasing 66 The Controls 68 Threading and Connecting 68 Recording Level 69 Test Recordings 70 Splicing 71 Choice of Tape Speed 73 Start Marks 74 Timing 75 Working from Cue Sheets 75 Pilot Commentaries 77 SOUND MIXING ON TAPE 80 Mixing from Gramophone Records 81 Part Erasing 82 Twin-Track Mixing 83 Split-Track Mixing 85 SYNCHRONISING TAPE AND WIRE 88 Synchronisation from the Mains 89 Synchronisation from the Capstan 91 Synchronisation from Tape 95