How to add sound to amateur films (1954)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

a mountaineering sequence such as that above, present it as being seen through binoculars from some way off. In this way you can portray the climber's terror in close-up whilst keeping the audience remote, helpless and in silence. Counterpoint An alternative treatment involves the use of music in counterpoint to the picture. In this case the picture shows one aspect or mood, while the sound presents a contrasting aspect. Usually this makes sense only if you have followed the preceding story. It is, therefore, a device to use only when the film is really well made. In other cases it will lead to confusion. When the mountaineer slips, for example, the music can change from foreboding to gay. This might symbolise the girl who has dared him to undertake a foolhardy expedition. As he hangs from the fraying rope, the dance music (established already in connection with the girl) tells us he is thinking of her. But see that it does tell people this. Don't make them think you have put on the wrong record. 115