A hundred million movie-goers must be right... (1938)

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studio left out any mention of the mother once the girls arrived in New York. They represented her so well by their presence alone any oral plea would have been superfluous. With the girls' love-sick boy friends wholly unreliable, the siren present and so alluring, their daddy determined to indulge his second youth, their campaign needed all the visible support it could get. In conclusion, if the reader has a yen for smart, profound or poetic talk it would be well for him to remember that many movies of great promise have foundered on the deceptive shoals of dialog, of talking about things that should have been cameraed, steered onto the rocks of patter and repartee that even at its graphic best cannot picture ideas and desires, action, people and background as vividly as the camera. On the other hand, the camera often tries to enhance and enlarge things that would be much more appealing if talked about. Seeing may be believing but the sight of things is not always appealing, or non-appealing. 172