In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants (1913)

Page scan 000390 from In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants

Record Details:

Title:
In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants
Date:
1913
Publisher:
New York, Appeal Printing Co.
Volume:
In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants : record volume 4
Leaf #:
000390
Language:
English
Collection:
Early Cinema and Government & Law
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
These seven volumes contain the testimonies and supporting documents from the U.S. District Court's antitrust lawsuit against the Motion Picture Patents Company (MPPC). Formed in 1908, the MPPC (sometimes referred to asœ"the Edison Trust" or just "the Trust") sought to control the American film industry through pooling patents and demanding that producers and exhibitors acquire licenses to those patents. Independent producers and exhibitors, who refused to license the patents, argued that the MPPC was an unlawful monopoly. In 1912 and 1913, the U.S. District Court for the Eastern District of Pennsylvania heard testimonies from both MPPC members, such as Siegmund Lubin, and "Independents" who later became Hollywood moguls, such as William Fox. Ultimately, in 1915, the case reached the U.S. Supreme Court, which found the MPPC in violation of the Sherman Antitrust Act and spelled the end for the already weakening MPPC. -- Eric Hoyt, 2012
Date Added:
September 12, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

2240 Ike Van Ronkel, Direct Examination. 1 By Mr. Caldwell : Q. Is every motion picture business or theatre in Chicago indicated, or its position indicated, on that map? A. No, sir; just the theatres. It is a regular street map, a Rand & McNally street map, and, for instance, if we have one on 42nd Street and Grand Boulevard, we put a tack in there, and say, 43rd Street, we have one there, and we put a tack in there, and then we have one around the corner from there, and we put a tack around the corner. The map being small in thickly congested neighborhoods, the tacks are pretty 2 close together. Are those tacks being constantly changed? A. Yes, sir; as the customers leave us and come back to us — they will leave us one week, and then come back to us the next week, and we use another tack to denote the ones that are building— we go to the Building Department and get an idea as to who is building or putting up the theatre, and we get out after them. Q. You keep a watch out of the records of the Building Department, to see what new motion picture theatres are going up, so you may get the patronage of that prospective 3 theatre? A. Correct; yes, sir. Q. And your competitor does the same thing? A. The three solicitors of the Mutual, Universal, and General, generally meet there at the same time. Q. And it is a race for the business? A. Yes, and a hard fight, too. Q. Now, after the General Film Company started in business in Chicago, was that followed by an increase in the cost of the service to the exhibitor? A. No, sir. Q. What was the average price paid, say, in January, 1909? A. Well, of course, at that time I only had charge of one office. Mine compared about the same as it is now, though the customers are getting a great deal more for their money now than they did at that time, as formerly they ran two reels a day, and now they run four a day, and the price has not increased in proportion. Q. Did you say what was the average cost of service to an exhibitor in January, 1909? A. The office I had charge of, about forty-five dollars. Q. And in 190S? A. In 1908, I could not be positive, I don't think. I don't think we had time to find out. We