In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants (1912-1913)

Page scan 000338 from In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants

Record Details:

Title:
In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants
Date:
1912-1913
Publisher:
New York, Appeal Printing Co.
Volume:
In the District Court of the United States, for the Eastern District of Pennsylvania, the United States of America, petitioner, vs. Motion Picture Patents Company, et al., defendants : record volume 7
Leaf #:
000338
Language:
English
Collection:
Government & Law and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
These seven volumes contain the testimonies and supporting documents from the U.S. District Court's antitrust lawsuit against the Motion Picture Patents Company (MPPC). Formed in 1908, the MPPC (sometimes referred to asœ"the Edison Trust" or just "the Trust") sought to control the American film industry through pooling patents and demanding that producers and exhibitors acquire licenses to those patents. Independent producers and exhibitors, who refused to license the patents, argued that the MPPC was an unlawful monopoly. In 1912 and 1913, the U.S. District Court for the Eastern District of Pennsylvania heard testimonies from both MPPC members, such as Siegmund Lubin, and "Independents" who later became Hollywood moguls, such as William Fox. Ultimately, in 1915, the case reached the U.S. Supreme Court, which found the MPPC in violation of the Sherman Antitrust Act and spelled the end for the already weakening MPPC. -- Eric Hoyt, 2012
Date Added:
September 12, 2024
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316 Motion Picture Patents Co. and Gaumont Co. of N. Y. 55. Agreement between MOTION PICTURE PATENTS COMPANY and GAUMONT COMPANY OF NEW YORK dated the 2nd day of March, 1909. LICENSE AGREEMENT. (a) THIS AGREEMENT, made this 2nd day of .March, 1909, by and between the MOTION PICTURE PATENTS COMPANY, a corporation organized and existing under the laws of the State of New Jersey and having an office at Jersey. -City, in said State, party of the first part, (hereinafter referred to as tlie "Licensor"), and the GAUMONT COMPANY, a corporation organized and existing under the laws of the State of New York, and having an office at New York City, New York, party of the second part, (hereinafter referred to as the "Licensee"), WITNESSETH THAT: (b) WHEREAS, the Licensor represents that it is organized to own, deal in, and grant licenses under Letters Patent pertaining to the motion picture art, and that it is the owner of all the right, title and interest in and to LTnited States Letters Patent : No. 578,185, dated March 2, 1897, for Vitascope, granted to Thomas Armat; No. 580,749, dated April 13, 1807, for Vitascope, granted t<» Thomas Armat ; No. 580,053, dated July 20, 18!>7, for Phantoscope, granted to Charles F. Jenkins and Thomas Armat; No. 588,916, dated August 24, 1897, for Kinetoscope, granted to Charles M. Campbell as the assignee of Willard G. Steward and Ellis F. Frost; No. 629,063, dated July 18, 1800. for Kinetoscopic Camera, granted to American Mutpscope Company as the assignee of Herman Casler; No. 073,420, dated April 30, 1001, for Kinetoscope, granted to The American Vitagraph Company as the assignee of Albert E. Smith; No. 073,002, dated May 14, 1001, for Yitascope, granted to Thomas Armat ;