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Screen Acting — Its Requirements and Rewards by Inez and Helen Klumph. Falk PublishinR Co., New York, 1922.
Through a Yellow Glass by O. B. Blakeston. Pool, London, 1928.
Film Technique by V. I. Pudovkin. Trans, from Russian by I. Montagu. George Newnes, London, 1933.
Film Acting by V. I. Pudovkin. Trans, from Russian by 1. Montagu. George Newnes, London, 1935.
Art in Cinematography
Pictorial Beauty on the Screen by V. O. Freeburg. Macmillan Co., New York, 1923.
Cinematic Design lay L. Hacker. American Photographic Publishing Co., Boston, Mass., 1931.
Elizabethan Pageantry by H. K. Morse. A pictorial survey of costume and its commentators from c.l 560-1620. New York, The Studio Publication, Ltd., 1934.
Sound Technic — Recording and Reproduction
Der tonende Film by J. Engl. F. Vieweg & Son, Braunschweig, 1927.
Der sprechende Film by D. von Mihaly. M Krayn, Berlin, 1927.
Talking Movies by J. R. Cameron. Cameron Publishing Co., Manhattan Beach, New York, 1927.
Sound Motion Pictures by H. B. Franklin. Doubleday, Doran & Co., Inc., Garden City, N. Y., 1929.
Sound Projection by R. Miehling. Mancall Publishing Corp., New York, N. Y., 1929.
See and Hear by W. H. Hays. Motion Picture Producers & Distributors of America, Inc., New York, 1929.
Cinematografia Sonera; Elementi teorico-practici by E. Cauda. Ulrico-Hoepli, Milan, 1930.
The Talkies by John Scotland. Crosby Lockwood & Son, London, 1930.
Encyclopedia on Sound Motion Pictures by J. R. Cameron. Cameron Publishing Co., Manhattan Beach, N. Y., 1930.
Sound Pictures and Trouble Shooters Manual by J. R. Cameron and J. F. Rider. Cameron Publishing Co., Manhattan Beach, N. Y., 1930.
Der Tonfilm by H. Umbehr. Edit, by H. Wollenberg. Lichtbildbiihne, Berlin, 1930. Vol.
4, BUcher der Praxis.
The Talkies by A. E. Krows. H. Holt & Co., New York, 1930.
Sound by E. G. Richardson. Arnold & Co., London, 1930.
Recording Sound for Motion Pictures. Various authors. Edited by L. Cowan. McGrawHill Book Co., New York, 1931.
Tonfilm-Aufnahme und Wiedergabe nach deir. Klangfilm-Verfahren by F. Fisher and H. Lichte
5. Hirzel, Leipzig, 1931.
Sound Film Reproduction by G. F. Jones Blackie & Sons, Ltd., London, 1931.
Projecting Sound Pictures by A. Nadell. McGraw-Hill Book Co.. New York, 1931.
Talkina Pictures and Acoustics by C. M. R. Balbi. Electrical Review, London, 1931.
Talking Pictures by Bernard Brown. I. Pitman & Son, London, 1931. 2nd Ed.
Der Nadeltonfilm by C. Borchart. A pamphlet on disk recording. W. Knappe, Halle, 1931._
The Voice of the Films by II. C. McKav. Falk Publishing Co., New York, 1931.
Modern Tonfilm-Reproduction Anlaaen by F. O. Rothy. Philips Radio G. m. b. h., Vienna, 1931.
Fortschritte der physikalischen und technischen Akustik by F. Trendelburg. Akademische Ver lags, Leipzig, 1932.
Cinematography and Talkies by J. R. Cameron and J. A. Dubray. Cameron Publishing Co., Woodmont, Conn., 1932.
Einfiihrung in die Tonphotographie by J. Eggert and R. Schmidt. S. Hirzel, Leipzig, 1932.
Die Grundlagen des Tonfilms by F. Skaupy. Union Deutsche Verlags, Berlin, 1932.
Photocells and Their Application by V. K. Zworykin and E. O. Wilson. Wiley & Sons, N. Y.; 2nd edit. 1932.
Acoustics and Architecture by P. E. Sabine. McGraw-Hill Book Co., N. Y,
Fortschritte der Physikalischen und Technischen Akustik by F. Trendelenburg. Akad. Verlags, Leipzig.
Tonfilmwiedergabe by R. Dahlgreen. Union Deutsche Verlags. Berlin.
Sound Picture Recording and Projection by K. M. Macllvain. International Text Book Co., Scranton, Pa.
Motion Picture Projection and Sound Pictures by J. R. Cameron and others. Cameron Publishing Co., Woodmont, Conn. Sth Edition 1933.
Physik des Tonfilms by A. Haas. Teubner, Leipzig, 1934.
Modern Acoustics by A. H. Davis. McMillan Co., New York, 1934.
Sound Motion Pictures by James R. Cameron. Cameron Publishing Co., Woodmont, Conn., 1935.
Applied Acoustics by H. F. Olson and F. Massa. P. Blakistons Sons & Co., Inc., Philadelphia, Pa.
Bluehook of Projection and Sound — By F. IL Richardson. Qiiiglev Publishing Company, New York, 6th Edition, 1935.
Film Processing
Tirage et Diveloppement des Films Cinematographiques by M. Mayer. Editions du "Cineopse," Paris, 1926.
The Development of Motion Picture Film fc-j the Rack and Reel Systems by J. I. Crabtree Eastman Kodak Co., Rochester, N. Y., 1927.
Tinting and Toning of Eastman Positir Motion Picture Film. 4th Edit. Revised. East man Kodak Co., Rochester, N. Y.. 1927.
Handling and Mixing Photographic Chemical and Solutions by J. I. Crabtree and G. E Matthews. Tennant & Ward, New York, 1926. Revised edition published by American Photographic Publishing Co., Boston, Mass., 1936.
The Photographic Darkroom by E. J. Wale. American Photographic Publishing Co., Boston Mass., 1933.
Fotografischc Ontzvikkelaars by M. C. F'. Beukers, Waltham, Jr.. Delft, Holland.
Motion Picture Laboratory Practice — Eastman Kodak Co., Rochester, N. Y., 1936.
Photometry, Sensitometry, and Densitometry
Investigations in the Theory of the Photographic Process by S. E. Sheopard and C. E. K. Mees. Longmans, Green & Co., London, 1907.
Photographic Researches of Hurter & Driffield by W. B. Fergusen. Royal Photographic Society, London, 1920.
La Sensitometrie Photographique et ses Applications by G. Moreau. Gauthier-Villars. Paris, 1928.
Manuel de Sensitometrie by L. Lobel and M. Dubois. P. Montel, Paris, 1929.
Die Sensitometrie. Photographische Photometric und Spectrographie by J. M. Eder. W. Knappe,
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