International photographer (Feb-Dec 1929)

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October, 1929 The INTERNATIONAL PHOTOdRAPHF.R Nineteen Whistle "Boxes -BY EARL MILLER, Chief Electrician Paramount-Famous-Lasky Quieting Arcs for Studio Sound Lighting ./ "Whistle Box" is so-called because it doesn't whistle. On /he other hand it takes the "whistle" out of the are lamp. It came in with the sound picture and is a clever de-vice to silence the carbon light. ~*/ounct >n two sections Connected Parallel. W, re JDC C Jo. Turns fQ8 pg. Section Cere msu'at ,.*n '/it, 8l«Fibe Buili of *I6 81 K Iron W,re PLAfJ B-B B X3 0 0 CO o o 0 0 o o o 0 0 o o o o o 0 0 O 0 0 o IievA ti on ■ Sec TION 60-SXBEJC3 Layout of Choking Coil j Wn.n/e Bo<s Earl Miller, whose "by I i n e" adorns this page, is one of the cleverest electrical engineers in the mo/ion picture industry. II e n e e forth, his n a m e will appear more frequently in this publication. Sound brought to the electrical department may problems in rebuilding and readjusting equipment to make it run in perfect silence. We were faced with the possibility of being forced to scrap several hundred thousands of dollars worth of serviceable and very necessary arc lighting equipment. We started by trying to change to fibre gears in the high intensity lamps but discovered that by the simple expedient of putting on a cutout switch that would stop the feeding motors we could stop all mechanical sounds during actual shooting and still maintain uniform light. Commutator ripple offered a problem that was not so easily overcome. Several different methods of building balanced filter circuits were tried but the iron cored choke coil offered the most practical means of quickly solving the problem. It seemed at first that the extra weight would make it expensive to handle but the accompanying photographs show that it is now made very compact. They can be stacked at the switchboard and thereby eliminate the necessity of moving them with the individual lamps. We are now working on a set covering an entire stage. It is being photographed in all color and is all sound and all arc lighting. We are using 58 Sun Arcs, 90 Scoops and 25 Rotary Spotlights.