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Twenty
T h
INTERNATIONAL PHOTOGRAPHER
February, 1934
30% to 60% CASH SAVINGS on 16 mm.
and 35 mm. Cameras, Projectors
and Accessories
Write for Bass Bargaingram. Specify size of apparatus
interested in. For over 22 years Value Leaders of the
nation.
Your copy is ready. Write for it.
BASS CAMERA CO.
179 W. Madison St.
Chicago,
W EVERYTHING ^
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W for Professional and Amateur *
" New and used. Bought, sold,
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MICKEY MOUSE COMES IN "LONG PANTS" NOW
Mickey Mouse, that gay young Romeo of animated pictures, whose impossible antics have delighted young and old all over the world, now appears in full length reels of 16 mm. film. The Hollywood Film Enterprises have been supplying the shorter length subjects for quite some time ; in fact, during the past year and a half this supply has amounted to several million feet. That sounds like a lot of feet — even of Mickey, but did it satisfy? NO! They demanded more of Mickey, so now to the great joy of the amateur, and those who are not amateurs, they may sit back in their chairs, heave a long contented sigh, and watch Mickey and his pals do their stuff in a full length reel. The Hollywood Film Enterprises, 6060 Sunset Boulevard, Hollywood, can now furnish for your film library the following silly Symphonies, each subject approximately 200 feet, 16 mm.: "The Plow Boy", "The Haunted House", "The Fire Fighters", "Traffic Troubles", "Pioneer Days", "The Barnyard Dance", "Springtime", "The Skeleton Dance", "Midnight in a Toy Shop", "The Merry Dwarfs", "Cannibal Capers", and "Night".
Announcement to Dealers
Fred Westerberg's
CINEMATOCRAPHER'S BOOK OF TABLES
Will Be Off the Press in April.
Order Now!
26-C
PROJECTION
35 mm. FILM
PROJECTION BACKGROUND PROCESS
WIDTH OF PICTURE OBTAINED IN PROJECTION WITH
DIFFERENT LENSES AT VARIOUS DISTANCES FROM
THE SCREEN
Width
of Picture
on Screen In Feet
DISTANCE IN FEET FROM PROJECTOR TO SCREEN
Screen Magnification In Diameters
4-inch Proj. Lens
41/2-in.
Proj. Lens
5-inch Proj. Lens
51/2-in.
Proj. Lens
6-inch Proj. Lens
7-inch Proj. Lens
8
35.3
39.7 44.6 49.6
44.2
48.5
53.0
61.8
106
9
39.7
49.7
54.6
59.6
69.7
119
10
44.2
55.2
60.6
66.3
77.3
133
11
48.5
54.5
60.7
66.7
72.9
85.0
146
12
53 n
59.5
66.2
72.8
79.5
92.7
159
13
57.3
64.5
71.7
78.8
86.2
100
172
14
61.8
69.4
77.3
84.8
92.8
108
186
15
66.1
74.4
82.8
91.0
99.4
116
199
16
70.6
79.4
88.3
97.0
106
124
212
17
75.0
84.3
93.8
103
113
131
225
18
79.4
89.3
99.4
109
119
139
238
19
83.7
94.3
105
115
126
147
252
20
88.4
99.2
110
121
133
154
265
21
92.7
104
116
127
139
278
22
97.0
109
121
133
146
292
23
101
114
127
140
152
305
24
106
119
132
146
.six
25
110
124 129
138
152
331
26
115
144
345
27
119
134
149
358
28
124
139
155
;. i
Based on Projection Aperture .680 by .906 of an inch.
The use of this aperture, which was standard in the days of silent pictures, is now limited for the most part to projection background work. Having no sound track to consider, full use can be made of the larger area of the old aperture to secure the benefits of reduced screen magnification in projecting the background image.
ILLUMINATION
CARBON ARC LIGHT
RELATIVE DISTRIBUTION OF RADIANT ENERGY EMITTED BY VARIOUS TYPES OF CARBONS
|uITRA-VIOl|viOIET | BLUE |B-G |oRE E N [ V O | TCU |oRAN0C|R-O | RE.P
Energy distribution of Plain Carbon Arc
3so too
feso 100
ULTnA-VIOu|viOLET | BLU E. |B-G |CRE.E N | Y-G | YE.L |qRAN6E|R-0 | RtCp~
Energy distribution of White Flame Carbon Arc
ultra-viol|violet | blue |a-G [green |y-g I ye.i |oa*N<.E|R-o| RE.P Energy distribution of 40 ampere Studio Carbon Arc
Dotted line indicates the relative color sensitivity of typical Supersensitive Panchromatic Film.
Data by National Carbon Company.