The international photographer (Jan-Dec 1934)

October, 1934 The INTERNATIONAL PHOTOGRAPHER Twenty-seven wiping filters, Japanese lens cleaning tissue can't be beaten. It is obtainable in most photographic and optical good stores, and is extremely inexpensive. All in all, then, it would appear the logical thing to own a good sunshade and a few good filters. If you don't as yet own such equipment, I'd suggest you start saving at once, for new avenues will open to your camera. You will secure more brilliant and snappy negatives from the sunshade, and more pleasing results in general from the filters. "INTOLERANCE "—THE SUN PLAY OF THE ACES (Continued from Page 24) A $15,000,000 Picture I have calculated roughly, that at the present scale of wages this picture would have cost over fifteen million dollars ($15,000,000). We were assisted by some of the best scientists in the world. Also in this picture made way back there you see flame throwing machines, poison gas, etc. You won't believe this, but it's there and, too, molten lead was used. Some of the moving fighting towers were as tall as the walls and were pushed toward the walls by elephants. There were seven hundred and fifty (750) horses used; sixty (60) of the persons used became great; sixteen (16) became stars — and some who had the leading parts were never heard of in a big way again. Costumes In the four stories — The Babylon of Belshazzar ; The France of Catherine de Medici (French Huguenot period) ; The Jerusalem of Christ, and America before the World War, there were more than one thousand different kinds of costumes used. When the fire throwing scenes were in full blast (fire being thrown from the moving fighting towers and from the walls) the neighbors living in little bungalows on streets adjoining the sets summoned the fire department and the big red ladder trucks and apparatus rushed past the gate guards into the scene upon which there were thousands of extras in action and spoiled nine or ten feet of film. No Casualties Remember we had only one camera running. Maybe Karl was grinding, too. I don't recall, despite the fact that one saw apparently hundreds of soldiers falling from one hundred and forty foot walls. In the closer views we used professional jumpers and nets. There were no casualties. We had an ambulance and corps of doctors and nurses, but only minor cuts and headaches happened. "Intolerance" had in it the whole of civilized history combined. "CRIME WITHOUT PASSION" Audio Productions, Inc., recently completed some very unusual trick photography for Ben Hecht-Charles MacArthur's Paramount feature entitled "Crime Without Passion," which was produced at the Eastern Service Studios. They are now busily engaged on the new Martin Johnson picture. The trick photography for "Crime Without Passion" was especially designed and devised by Mr. Borkopitch, noted authority on this subject in Hollywood, and the work was carried out under the general supervision of Leo Lipp. H^/zed LIGHTS 'pHE new Klieglights with their exceptionally high efficiency and extraordinary beam and intensity controls — permitting all kinds of trick lighting at no extra cost — are but one of the many new types of lighting units that can be furnished for motion picture and still photography. We also offer several improved designs in floodlights, spotlights, overhead lights, side lights, etc., for different purposes and perfected to best meet your needs. In addition, various forms of wiring devices — portable plugging boxes, pinplug connectors, floor pockets, wall pockets, etc — and special apparatus made to order. Neu> BULLETIN No. 106 Now ready for distribution — describes and pictures these various studio lighting units. You will find it helpful. Write for a copy. Universal Electric Stage Lighting Co., inc. 321 West 50th Street N EW YORK. N.Y. dlltllh CONNECTORS Audio Productions has been expanding its organization for this type of work and is believed to be the foremost company handling trick photography in the East. Lee Garms was cameraman and co-director of this picture. Joe Kain was sound technician and Art Rosson, production manager. LONG SHOT BY BOB TOBEY Recently I caught a preview of "What, No Men?" starring El Brendel and done in two reels and three colors. The color rendition was excellent, the process used being the same Technicolor three-image process that has been so well received in Walt Disney's Silly Symphonies. This is the first musical I have seen turned out by Ralph Staub under his new contract with Warner Brothers, and I was very favorably impressed. In the cast with El Brendel are Wini Shaw, Phil Regan, and Rosalie Roy. Photography was by that Technicolor veteran, Ray Rennahan. Staub tells me that he has a big year ahead, with almost a hundred short subjects to produce ; fifteen of these are musicals, and nine are in color. Max Factor's MAKE-UP A, Easy to Apply Easy to Remove ^ Stays on All Day Photographically Correct MAX FACTOR'S MAKE-UP STUDIO • HOLLYWOOD Please mention The International Photographer when corresponding with advertisers.