We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
March, 1935
The INTERNATIONAL PHOTOGRAPHER
Twenty-seven
Shooting TARZAN AND THE GREEN GODDESS
Photos courtesy Burroughs-Tarzan Enterprises , Inc.
ror use in the wilds of Guatemala they chose G-E MAZDA Photoflood lamps
ON December 2, 1934, the Ashton Dearholt expedition sailed for Guatemala to shoot the story of TARZAN AND THE GREEN GODDESS. With them went all the equipment necessary to equip completely an entire sound picture studio in the wilds of the tropics.
Every piece of equipment had to be transported through the jungle on the backs of native porters, hence each piece had to be vital, and as light in weight and as portable as possible. In addition it had to be "sure fire."
For interior and supplementary lighting, they took along General Electric Mazda Photoflood lamps. No other light source met their requirements as well. These lamps provide a wealth of light from comparatively little juice . . . which meant less weight and size necessary in the portable generator. They also made possible the use of light weight, compact reflecting equipment. And they are completely reliable.
More important to you than the usefulness of G-E Mazda Photoflood lamps to an expedition in the jungle is the point which this story illustrates so well: General Electric makes lamps to meet every lighting need of the cinematographer. Are you benefiting fully from their ability to help make better pictures? General Electric Company, Nela Park, Cleveland, Ohio.
GENERAL |p ELECTRIC
MAZDA LAMPS
Please mention The International Photographer when corresponding, with advertisers.