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1936. 13 Claims. A cellulose-base film coated on one side with a light sensitive emulsion and on the other side with a polymeric amino-nitrogen containing organic compound.
No. 2.139,767 — Buffered Photographic Film. Gale F. Nadeau, assignor to Eastman Kodak Co. Application Feb. 15. 1936. 12 Claims. A photographic film having a support, a sensitive emulsion layer, and a layer containing materials capable of producing a hydrogen ion concentration different from that of the emulsion.
No. 2,139,778 — Antistatic Photographic Film. Alfred D. Slack and Albert A. Young, assignors to Eastman Kodak Co. Application March 1, 1938. 12 Claims. A photographic film comprising a support carrying a photographic emulsion layer and antistatic layer comprising a tauride containing sulfonic derivative radicals.
No. 2,139,806 — Machine for the Continuous Printing of Negative Films on a Plurality of Positives at the Same Time. Maurice Albert Dalotel, France, assignor to Suzanne Rosalie Mathot, Paris, France. Application August 4, 1936. In France August 8, 1935. 11 Claims. A continuous projection printer for simultaneously printing a number of positives from a single negative, having a single light source, and narrow windows arranged one above the other for simultaneously projecting on each positive different adjacent regions of the negative.
No. 2,139.855 — Apparatus for Photography With or Without C olor. Anne Henri Jacques de Lassus Saint Genies, Versailles, France. Application April 10, 1935. In France April 14, 1934. 4 Claims. A device for taking pictures in relief on a lenticular film and having a pair of objectives with a complex lenticular screen between them.
No. 2,140,260 — Camera Adjusting Mechanism. Harry G. Cunningham, assignor to RKO Studios, Inc. Application March 31, 1936. 6 Claims. An interchangeable lens mount for cameras, having a cam arrangement different for each lens, for moving the lens axially.
No. 2.140,540' — Color Photography. Edmund B. Middleton and Andrew B. Jennings, assignors to Du Pont Film Mfg. Corp. Application Feb. 19, 1937. 12 Claims. A color-forming photographic developer comprising an aromatic amino photographic developing agent and a diacylacetaminoaryl-bisazole.
No. 2,140,738 — Film Gate and Framing Mechanism. Chas. L. Fitz, assignor to Herman A. De Vry, Inc., Chicago, 111. Application April 18, 1936. 5 Claims. A film gate mechanism for motion picture machines in which one of the gate members may be moved toward or away from the other member, and the other member is spring-mounted so that it may slide along posts.
No. 2,140,847 — Composite Layer Films for Color Photography and the Processing Thereof. Humphrey Desmond Murray and Douglas Arthur Spencer, assignors to Iford Ltd., Eng., and The Veracol Film Syndicate Ltd., London, Eng. Application June 21, 1935. In Great Britain June 25, 1934. 13 Claims.
A multi-layer color film with at least one of the emulsion layers containing a color formnig development component.
No. 2,141,354 — Method of Treating Photographic Film. Alan M. Gundelfinger, assignor to Cinecolor, Inc., Los Angeles, Calif. Application April 23, 1937. 8 Claims. The method of bleaching photographic images which includes treating them with a solution of potassium iodide and then treating them with a solution containing iodine and from 1% to 49? potassium iodide.
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ON THE SET
EVERY DAY
SUPER-SPEED ROMANCE!
INSIDE FACTS ABOUT NEW HOLLYWOOD TWOSOME
By CHOLLY CATWALKER
In the short time he has been gettin*: around in Hollywood, young Fast Film has become known as a choosy boy. He doesn't go for the bright lights as did some of his respected ancestors. Oh dear no ! W hat illumination he has, must be smooth and discreet, without a trace of shadows or 'hot spots*. That is where young "Baby" Junior of the Solarspots made a big hit with the newcomer. "Baby" Junior isn't very big, and never has been a bright-light type herself, but true to Solarspot family tradition, she's always beaming, with never a shadow or the faintest suggestion of a 'hot spot*. No wonder everyone says, "They seem made for each other!"
PRINCIPAL IN LATEST
HOLLYWOOD
ROMANCE
Latest portrait of l*Baby Junior" Solarspot, reported by Hollywood columnists as seen everywhere with the sensational newcomer, Fast Film. Baby Junior comes from one of the most distinguished families in Hollywood. Direct descendant of the Solarspots, Senior and Junior, originators of smooth, shadowless spotlight-beams, Baby Junior traces her ancestry in an unbroken line to the first 'Inkies* to greet Panchromatic Film, direct ancestor of Fast Film, on arrival in Hollywood over a decade ago. This new linking of the 1939 generation of two famous families is singularly appropriate.
PERHAPS SOME DAY YOU'LL LIGHT SETS WITH MATCHES Until Then
SOLARSPOTS ARE BEST FOR ALL FILMS
MOLE-RICHARDSON CO.
941 No. Sycamore Ave. Hollywood, California
FAST FILM, SOLARSPOT "THAT WAY"
By WALTER WINDSHIELD
The latest in Hollywood romances is that Fast Film and the MoleRichardson youngster, ""Baby" Solarspot, are twoing. Following early encounters with the older, heavyweight members of the lighting family, reported to have left the celluloid newcomer thoroughly 'burned up.' F.F. and Baby Jr. have been going together with that old 'you were made for me* glint in their eyes.
The traditional baby of the Solarspot family is taking it big. As who wouldn't ? For years relegated like a baby sister to obscure 'fill-in*' tasks, suddenly promoted to key lighting posts illuminating glamorous stars, and paired romantically with the sensation of the day, Kid Fast Film himself? According to the grapevine and my girl Thursday, Baby Junior and Fast Film have been seen holding hands by practically all of the Supreme and Plus-X sets. From where I sit it looks like a steady combination, with the older members of the Solarspot family, Junior and Senior, chaperoning happily from the catwalk behind goboes and dim bulbs.
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