International projectionist (Jan 1963-June 1965)

Record Details:

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Now. Are you n-illina to risk it all on l<>ss than Eastman lihns? More than anything else except creative skill, film is crucial to quality in moviemaking, Isn't ii a false economy, then, to attempt to save a fraction of a cent per foot on film stock which lias loss than Eastman quality? Ami doesn't poor film quality jeopardize your entire investment, even make talent look had? But total-picture quality doesn't demand that yon merely shoot on the best negative, There's also the print stock to consider . . . and some don't, it's a great mistake both from your point of view and that of your audience to print on anything less than EASTMAN Film, Look at it this way. Film both negative and print Stock must have consistent speed, uniform processing characteristics, dimensional stability, precision perforations and uniform slit edges, In the theater it must possess a loan weartear capability for precision in projection, and in order to hold down costly print reorders. KAKTMAN Films have all these qualities because Eastman's engineering and tc.htiKv.l fuditi.sare unique. Fur thermore, Eastman's film specialists arc always at hand to help yon maximize production efficiency. Everything considered, doesn'l ii main' good sense to use EASTM AN all the way '.' Motion Picture and Education Markets Division EASTMAN KODAK COMPANY Rochester, N.Y. New York, N.Y. Chicago, 111. Hollywood, Calif. EASTMAN FILI International Projection! st April, 1965 International Proj ectionist April, 1965