International projectionist (Jan 1963-June 1965)

Record Details:

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Wardrobe. J54.000 and Studio costs . . . $403,000 Production staff. . . $275,000 Talent . . . $390,000 Sets . . . $242,600 Story . . . $143,500 Would you ntake u good investment took like a poor one . . . on purpose ? &: u ' Certainly not, you say. But why, then, would you — or anybody else — consider making a motion picture on less than Eastman films? Better to consider this: the fraction of a cent per foot you might save on less than Eastman films may cost you everything in terms of quality. Look at it this way. Film — both negative and print stock — must provide detailed, full-tonal reproductions and must have consistent speed, uniform processing characteristics, dimensional stability, precision perforations and uniform slit edges. Go with anything less than Eastman quality and you may be in for retakes and headaches, reorders and "outof-orders" — not to mention audience dissatisfaction. The savings you counted on are, in the final accounting, no savings at all. With Eastman you also enjoy the services of the world's finest film engineering and technical facilities. Your total picture quality is backed by Eastman's total quality control. And Eastman's specialists are always at hand to help you get maximum production efficiency. Everything considered, doesn't it make good sense to use Eastman all the way? Motion Picture and Education Markets Division EASTMAN KODAK COMPANY Rochester, N. Y. New York, N. Y. Chicago, 111. Holly woo d, Calif. EASTMAN