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The Release Print Problem of Standard Markings. Sept., p. 8
Some Methods for Solving Focus Drift Problems. Aug., p. 13
Using Non-Synchronous Music as Good Showmanship. Dec, p. 12
HUME, HOWARD F.
A New Concept on the Physiological Aspect of Stereophonic Sound. July, p. 17
JACKSON, J. G.
"Domerama" — Theatre of the Future.
Feb., p. 23
KEMP, J. G. Jr. (with R. B. DULL and E. A. NEEL, Jr.)
New HI Rotating Positive Carbons for Motion Picture Projection. Sept., p. 14
KINGSLAKE, RUDOLPH
A History of Anamorphic Lenses.
March, p. 27
LYTEL, ALLAN
Television and Motion Pictures.
Aug., p. 10; Sept., p. 19
MacDONALD, FRANK
The Ole Crank Twister on Scratchin'.
March, p. 36
MacLEOD, ROBERT
Motion Picture Research Council: An Industry Technical Aid. May, p. 7 NTS's Telemovies Projection Equipment.
April, p. 14 Planetarium Projection. Jan., p. 15
TV Projection and the Schmidt System.
Sept., p. 5
MAYERS, MORRIS A. (with RODNEY D. CHIPP)
Closed-Circuit TV System and its Practical Applications. Dec, p. 19
MITCHELL, ROBERT A.
The Care and Cleaning of Lenses.
Oct., p. 7 Drive-In Projection: A Challenge.
April p. 7; May, p. 10 Film Standards for Picture and Sound.
June, p. 7; July, p. II For a Brighter, Flickerless Picture.
Aug., p. 7 Is Magnetic Reproduction Worthwhile?
Jan., p. 17 Projection With Hi-Speed Intermittents.
Nov., p. 7 SideWeaving : A Common Defect of Projection. Dec, p. 7 That Important Optical Train.
Feb., p. 7; March, p. 7 Transmitting Power to Arc lamps.
Jan., p. 7 Variable Area vs. Variable Density.
Sept., p. 11
NEEL, E. A., Jr. (with R. B. DULL and J. G. KEMP, Jr.) New HI Rotating Positive Carbons for Motion Picture Projection. Sept., p. 14
PRATT, A. S.
Is Magnetic Reproduction Worthwhile?
Jan., p. 17
PRENDERGAST, TOM
The Syosset: A Completely Modern
Theatre. Jan., p. 11
ROWAN, ARTHUR
Filming the First Hollywood Technirama Production. July, p. 14
RUIZ, JOSE M.
Faster Pulldown Geneva Movements.
Jan., p. 13; Feb., p. 26
SEARS, JOHN
What Is Electronics? Part I. Some Atomic Theories. Dec, p. 17
SHEPARD, W. D.
Selection of Replacement Equipment in Army and Air Force Theatres.
Oct., p. 16; Dec, p. 30
STANKO, EDWARD
Clusters With Replaceable Pole Caps.
June, p. 12
TUEMMEL, HERBERT
Arc Lamp for Alternating Current?
June, p. 22 Planning Modern Projection Rooms.
Nov., p. 14
WALTERS, LOU
Do You Really Know Your Arc Operation?
July, p. 26 "Oil Leaks?" — Maybe, Says An Expert.
May, p. 24
WARNER, CARL E.
"Around the World" in 35-mm. June, p. 7
ARC LAMP ALIGNMENT
(Continued from page 8)
by the pinhole aperture, and the small amount of energy passed by the tiny hole may be kept on the lens surfaces
without danger of damage for an indefinite time.
Necessary Background Information
Certain background information is necessary in order to make the best use of the pinhole aperture. For instance, it is possible that the screen surface in use will tint the light reflected from it in such a manner as to make the picture appear to be on the yellow side of white. If this is the case, it may be found advantageous to set the lamps just a shade on the blue side of white.
It is also frequently found that the auditorium incident lighting may add extraneous color to the screen, and this may make the best white light setting of the lamp appear to be less desirable than some other color of light.
Good practice will suggest the replacement of screen surfaces which do not respond properly to good illumination of normal color, and whatever the projectionist can do to keep auditorium light from the screen will be a step in the direction of better projection. But there is no gainsaying the fact that the pinhole aperture is an invaluable aid to consistently good screen light. For accurate and daily adjustment of the lamp, it stands without a competitor in the areas of simplicity, accuracy, and economy.
Q; When is a mistake a blunder?
When a projectionist is not a regular subscriber l* to IP — MUST reading for the projectionist craft.
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Name
Address
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INTERNATIONAL PROJECTIONIST
JANUARY 1955