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production was made entirely in Hollywood and local locations, and is living proof of the superior quality of the craftsmanship of our local unions.
Phil Rand, camera operator, has come back to a tremendous long list of waiting jobs, from White City, New Mexico from working both there and at Monterey, Calif, for Warner Broth, ers "Susan Slade."
This column would like to express deep sympathy to George Doan of the Desilu Productions, Inc. on the recent loss of his wife. George has been for years a close friend of all IATSE, crafts, and in his position as "hiring man" for the big television empire, has endeared himself to many cameramen, grips, electricians, prop men, makeup artists, costumers, and so on down the line.
Kenneth Bell, still photographer for George Pal's "Atlantis" has been selected by many trade papers as the still man of the year for his excellence in photographing some of the intricate scenes of this epic.
James Saper, an old friend of this columnist, has been doing exceptionally fine work on the technical photography of Columbia's "Birdman of Alcatraz."
Jimmy Carpenter, lamp operator of the Mirisch-U.A. production "By Love Possessed" shooting at the old Goldwyn studio, has become a father for the first time at the age 42, Jimmy says, "everything comes to he who waits."
Carson McDonald, considered an artist supreme with the lip paint-brush and the powder puff is getting married at last. Announcement stunned the labor movement all throughout Hollywood. Mrs. McDonald (to be) is the wardrobe mistress on M-G-M lot and Carson officiates on their "King of Kings" retakes.
Gordon Avil, member of the American Society of Cinematographers has
sney's icials,
done a smash-up job on Walt Disney "Ten Who Dared". Some technicia after looking over the script of "Ten" said it couldn't be done, but Walt had confidence in Gordon Avil, and it is being done.
Shades of the Past! 3vDimension i: about to come back. Authorities in optics have contended that it is possible to achieve 3-dimension effect on th screen without the use of glasses. We wonder!
Incidentally, it might be mentioned in passing, that Hollywood motion picture producers are convinced that 1961 will be one of the best years ever, as far as production and profits are concerned.
Johnny Greenwald, Assistant Director, formerly from the M-G-M lot, and this columnist have had a lot of fun recently talking about the old days of motion picture making. Seems like now there is an entirely new crop of producers coming over the horizon, and the old-timers are on the wane. Johnny, one of the oldest new-comers in the business, thinks it is a good sign. lP
Time-Life Documentary Wins Flaherty Award
NEW YORK — "Primary," a 27minute documentary produced by Robert Drew for Time-Life, Inc., won City College's 12th annual Robert J. Flaherty Award for "creative achievement" at the screening of prize-winning films held in cooperation with Cinema 16 at the Fashion Industries Auditorium on March 29. Honorable mention in the competition went to "Sit-In," produced by Albert Wasserman for NBC-TV network, and "Pow Wow," produced and directed by Allan Downs and Jerome Liebling for the University of Minnesota.
iP
INTERNATIONAL PROJECTIONIST
Post Office Box 6174 Minneapolis 24, Minnesota
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International Projectionist April 1961