International Review of Educational Cinematography (Jul-Dec 1929)

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the Indestructible, the Aksara-m, in whom and of whom is produced the ethereal substance which envelops and forms the world and all things. With powerful lyric impulse, it hymns the sweet and radiant death of warriors, of those who fulfil their duty, dying in battle, Marnti bows before Shiwa (from the Ramayana) and who ascend to the Paradise of Indra, in the svarga ; for heroic death in the field — the highest symbol and example of duty — purges of all sin. It sings of the Acvini, the Indian Dioscuri, the twins, prototypes of eternal beauty and eternal youth, who appear in the dim 167